ROY DECARAVA – LIGHT BREAK

Posted on 2019-09-30

Approaching photography with a painterly aesthetic and leaving behind the standard practices of documentary photography, DeCarava accepted the modernist challenge to understand the medium as an artistic expression and brought an entirely new vocabulary and thinking to the field. He defined his art, not as existing in the polarities of black and white, but as encompassing an infinite scale of gray tonalities, “sliding into each other,” creating new aesthetic challenges for his silver gelatin process. On view uptown will be a selection of photographs from the sound i saw, DeCarava’s unwavering decades-long exploration of the relationship between the visual and the aural. Created as an artist-made book in 1960 and never before exhibited in its original form, this work of emotional power and formal mastery is known, in particular, for its finding and explicating a depth of human perception, carried by a nuanced and atmospheric depiction. This photography delivers those known and unknown, including Ornette Coleman, John Coltrane, Duke Ellington, Billie Holiday, and others in their milieu, into a sound and a sense rarely seen in visual arts.

Opposite – Six figures in sunlight, 1985

Exhibition runs through to October 19th, 2019

David Zwirner
533 West 19th Street
New York
10011 NY

www.davidzwirner.com

  

KENNY BRAUN – PICTURING TEXAS

Posted on 2019-09-23

Since publishing his series Surf Texas with the University of Texas Press in 2014, Kenny Braun has focused his attention on the natural wonders of Texas. In his series As Far as You Can See published in 2018, Braun portrays the full range of Texas’s natural landscapes. Between the deserts of West Texas and the swamps of East Texas, Braun shares unexpected views as well as the adventurous spirit his home state has cultivated within him.

Born in Houston, Kenny Braun now lives and works in Austin. His work is included in numerous private and public collections including The Wittliff Collections at Texas State University. As an editorial photographer his work can be seen in Texas Monthly, Wired, Southern Living, Texas Highways, Southwest: The Magazine, This Old House, and more.

Opposite – Across the Rio Grande into Mexico, 2019

Exhibition runs through to October 12th, 2019

Catherine Couturier Gallery
2635 Colquitt Street
Houston
77098 TX

www.catherinecouturier.com

  

KATIE SETTEL – (UN)FORGOTTEN

Posted on 2019-09-23

“(un)Forgotten” is described as “a photography-based exhibit about a common, shame-filled-secret: a ‘forgotten’ sibling.”

“I have a brother who is intellectually challenged and when he was born, doctors urged my parents to send him to an institution,” Settel explains. “As a kid, I always knew of Andy, but had never met him and was always haunted by that — he was a family member we rarely spoke of. But what I’ve learned when sharing this story is that I’m not the only one with this lost history. There are still a ton of brothers and sisters in group homes that are alone because this secret endures.”

Through an artistic encounter of powerful images captured at the abandoned institution and their haunting contexts, Settel believes her photographs will draw viewers into an emotional space of awareness, understanding and possibly healing. “I want to tell my story, show that there is no shame. I want to combine history with today’s acceptance and unite families so that they may become advocates for siblings who cannot speak for themselves.”

Opposite – Mansfield Training School, 2017

Exhibition runs through to October 18th, 2019

Armstrong Gallery
305 Knowlton Street
Bridgeport
06608 CT

www.305knowltonstartists.com

  

MICHIKO KON – CANNIBAL FEAST

Posted on 2019-09-23

At first glance they appear to be ordinary objects — a designer dress, a top hat, a high-heeled boot. But after closer examination, the viewer realizes that sliced peas have been fastened to the dress lining; the surface of the hat has been crafted from sardines with eyes staring into your soul for their time has clearly run out; that the stiletto boot has been stitched together using ark clam shells with a fish head tip. Michiko Kon’s work is simultaneously seductively beautiful and shockingly disturbing. Michiko Kon: Cannibal Feast presents a collection of platinum palladium prints from the 1990’s in which Kon draws on her powerful imagination to create a tension between the real and the imagined, subtly manipulating the perceptions and sensations of her viewers.

Opposite – Salmon, Flatfish, and High Heel, 1987

Exhibition runs through to October 19th, 2019

Robert Mann Gallery
525 West 26th Street, Floor 2
New York
10001 NY

www.robertmann.com

  

SEX CRIMES

Posted on 2019-09-16

The exhibition “Sex Crimes” provides artwork and literature with homosexual content that was often created in a shadow world of criminality, organized crime payoffs, and under the threat of arrest. These pieces, aimed primarily at gay men, were often passed surreptitiously from person to person. Producers of the artworks faced imprisonment and harassment if they were caught.

The body of work presented in “Sex Crimes” provides a window into the camaraderie and defiant response of sexual outlaws to governmental, religious, and cultural homophobia that has historically criminalized them. Until the Stonewall riots in 1969, gay people had not collectively organized in resistance to repression and discrimination. And it was not until 2003 in Lawrence vs. Texas that the US Supreme Court finally ruled that nonremunerative sex between consenting adults in private was protected by the Constitution and could not be criminalized.

Opposite – Laura Rubin, “Mario Montez”, 1969/printed 1975

Exhibition runs through to September 28th, 2019

ClampArt
247 West 29th Street, Ground Floor
New York
10001 NY

clampart.com

  

F. ROY KEMP – MIDCENTURY BURLESQUE

Posted on 2019-09-16

Canadian photojournalist F. Roy Kemp spent the 1950s documenting the New York burlesque scene, producing thousands of images that give us a glimpse into the public and private lives of performers unparalleled in other photographers’ work. The Burlesque Hall of Fame will feature selections of this work, with images of burlesque superstars like Tempest Storm, Blaze Starr, Zorita, and Jennie Lee, as well as lesser-known performers like Zizi Richards and Naja Karamuru. Kemp shot pin-ups, but he was decidedly not a pin-up photographer. His best shots catch his subjects on stage, backstage, and in their homes. Kemp’s photos present an almost ethnographic view of the live of a working performer.

Opposite – Blaze Starr

Exhibition runs through to December 31st, 2019

Burlesque Hall of Fame (BHoF)
1027 S Main St #110
Las Vegas
89101 NV

www.burlesquehall.com