DAVID BAILEY – THE SIXTIES

Posted on 2019-02-18

Bailey’s bold and iconoclastic style has made him one of the world’s most renowned living portrait photographers, and earned him as much fame as his stellar subjects. Discarding the rigid rules of a previous generation of portrait and fashion photographers, he channeled and immortalized the energies of London in the 1960s and beyond.

Self-taught, his distinctive style comprises stark white backgrounds, uncompromising crops, and striking, seemingly spontaneous poses. From the beginning of his career, which now spans more than six decades, his arresting yet spare portraits and fashion images have conveyed a radical sense of youth and sexuality, often typifying the look of the times.

Opposite – Mick Fur Hood, 1964

Exhibition runs through to March 30th, 2019

Gagosian
17–19 Davies Street
London
W1K 3DE

gagosian.com

  

CHRIS DORLEY-BROWN – THE CORNERS

Posted on 2019-02-11

Robert Koch Gallery presents The Corners, a series of photographs by British photographer Chris Dorley-Brown, whose surreal and off-kilter imagery of his hometown streets of the London Borough of Hackney is comprised of many separate relatively narrow captures taken from the same vantage point over an extended period, sometimes up to an hour at a time. The artist sets up the camera in one location, and tilts and pans around the cityscape to capture the activity on the street, along with it’s unsuspecting protagonists. Once he has returned to the studio, he overlays the resulting moments into one central composition or alternate reality, which initially presents the viewer with a sense of familiarity, but dually takes on a dreamlike tone.

Exhibition runs through to March 2nd, 2019

Robert Koch Gallery
49 Geary Street 5th Floor
San Francisco
94108 CA

www.kochgallery.com

  

IMPLICIT TENSIONS: MAPPLETHORPE NOW

Posted on 2019-02-11

In the thirty years since his death, Robert Mapplethorpe (1946–1989) has become a cultural icon. One of the most critically acclaimed and controversial American artists of the late twentieth century, Mapplethorpe is widely known for daring imagery that deliberately transgresses social mores, and for the censorship debates that transpired around his work in the United States during the late 1980s and early 1990s. Yet the driving force behind his artistic ethos was an obsession with perfection that he bought to bear on his approach to each of his subjects.

In 1993, the Guggenheim received a generous gift of approximately two hundred photographs and unique objects from the Robert Mapplethorpe Foundation, initiating the museum’s photography collection. The Guggenheim celebrates the sustained legacy of the artist’s work with a yearlong exhibition program conceived in two sequential parts.

The first part of Implicit Tensions (January 25–July 10, 2019) features highlights from the Guggenheim’s in-depth Mapplethorpe holdings, including early Polaroids, collages, and mixed-media constructions; iconic, classicizing photographs of male and female nudes; floral still lifes; portraits of artists, celebrities, and acquaintances; explicit depictions of New York’s underground S&M scene; and searingly honest self-portraits.

The second part of Implicit Tensions (July 24, 2019–January 5, 2020) will address Mapplethorpe’s complex legacy in the field of contemporary art. A focused selection of his photographs will be on view alongside works by artists in the Guggenheim’s collection, including Rotimi Fani-Kayode, Lyle Ashton Harris, Glenn Ligon, Zanele Muholi, Catherine Opie, and Paul Mpagi Sepuya.

Exhibition runs through to July 10th, 2019

Solomon R. Guggenheim Museum
1071 5th Ave
New York
NY 10128

www.guggenheim.org

  

DON MCCULLIN

Posted on 2019-02-11

With over 250 photographs, all printed by the artist himself in his own darkroom, this exhibition is a unique opportunity to see the scope and achievements of McCullin’s career. Renowned as one of Britain’s greatest living photographers, McCullin has captured images of conflicts from around the world, from Vietnam and the Congo, to Cyprus and Beirut. Often taken at great personal risk, these unforgettable photographs will be shown alongside McCullin’s work in documentary photography, his travel assignments and his long term engagement with landscape and still life.
The exhibition includes some of McCullin’s most iconic photographs including Shell-shocked US Marine, The Battle of Hue 1968, Starving Twenty Four Year Old Mother with Child, Biafra 1968 and Northern Ireland, The Bogside, Londonderry 1971.

Opposite – Local Boys in Bradford, 1972

Exhibition runs through to May 6th, 2019

Tate Britain
Millbank
Westminster
London
SW1P 4RG

www.tate.org.uk

  

GARRY FABIAN MILLER – ILLUMINATIONS

Posted on 2019-02-04

Fabian Miller’s calculated exposures, lasting from thirty seconds to twenty hours, recall a painter’s grasp of craftsmanship. Fabian Miller effectively paints with light, mapping out the direction of light through cut-paper shapes and sketching studies for forms before exposure. The final photographs are often the result of multiple printings. In effect, Fabian Miller’s work rekindles the wonder and fascination of the pioneers of early chemical photography, capturing the magical allure of light.

Focusing his aesthetic towards an increasingly profound way to interpret energy within the elements, Fabian Miller’s evolution as a photographer is a beautiful, comprehensive path towards abstraction, resembling a clarity akin to Mondrian’s abstraction of painting. The photographer’s perambulatory process develops imagined visual forms that reflect on the sanctity of life with a contemplative and hopeful nature.

Opposite – From a Place I Come, 2014-2015

Exhibition runs through to February 16th, 2019

Holden Luntz Gallery
332 Worth Avenue
Palm Beach
Florida 33480

holdenluntz.com

  

ERICA BAUM – A LONG DRESS

Posted on 2019-02-04

This exhibition debuts Baum’s Patterns, a new series of photographs capturing the textures, contours and words from twentieth century sewing patterns. Baum’s oeuvre over the past twenty years has focused on composing images of found poetry located in the folds of printed material. Her latest subject matter is the paper templates and accompanying booklets which were industrially-produced for the home tailor.

Opposite – Sewing Cow, 2018

Exhibition runs through to February 17th, 2019

Bureau Inc.
178 Norfolk Street
New York
10002 NY

www.bureau-inc.com