SAUL LEITER – IN MY ROOM

Posted on 2018-06-18

Fed by thrilling recent discoveries from Saul Leiter’s archive, the exhibition reveals the world of the artist and the women in his life through his studies of the female figure. Often illuminated by the lush natural light of Leiter’s studio in New York City’s East Village, these black-and-white images uncover the mutual and empathetic collaboration between the artist and his subjects.

In the 1970s, Leiter planned to make a book of his nudes, but never realized the project in his lifetime. The exhibition and upcoming book offer a first-time look at this body of work, which Leiter began on his arrival in New York in 1946 and continued throughout the next two decades. Leiter, who was also a painter, incorporates abstract elements into these photographs and often shows the influence of his favorite artists, including Bonnard, Vuillard, and Matisse.

The prolific Leiter, who painted and took pictures fervently up to his death, worked in relative obscurity well into his eighties. Leiter preferred solitude in life, and resisted any type of explanation or analysis of his work. With In My Room, he ushers viewers into his private world while retaining his strong sense of mystery.

Leiter made an enormous and unique contribution to photography with a highly prolific period in New York City in the 1940s and ’50s. His abstracted forms and radically innovative compositions have a painterly quality that stands out among the work of his New York School contemporaries.

Opposite – Jean, c.1948

Exhibition runs through to June 30th, 2018

Howard Greenberg Gallery
The Fuller Building
41 East 57th Street
Suite 1406
New York, NY 10022

www.howardgreenberg.com

  

DAGMAR HOCHOVA – THE POWER OF SYMPATHY

Posted on 2018-06-11

The first UK exhibition of the work of leading Czech photographer Dagmar Hochová (1926 – 2012) known for her humanist and documentary approach. Hochová’s powerful black and white images of ordinary people from 1960s to 1980s are complemented by unique images documenting the crucial events of recent Czech history, including the 1968 Prague Spring and the 1989 Velvet Revolution, building a complex picture of life in Czechoslovakia under communism while presenting everyday reality as something unusual and extraordinary. Full of energy and humour and with engaged and critical attitude towards society, Hochová’s photographs surpass the work of her contemporaries and provide a strong testimony to the era and its people.

Opposite – Untitled

Exhibition runs through to June 29th, 2018

12 Star Gallery
Europe House
32 Smith Square
London SW1P 3EU

london.czechcentres.cz

  

LEICA M-P ‘SAFARI’ SPECIAL EDITION

Posted on 2018-06-11

The set contains a Leica M-P digital rangefinder camera in olive green safari-look and a fast Leica Summicron-M 35 mm f/2 ASPH. lens in silver chrome finish. A total of 1,500 special edition sets is planned for the worldwide market and these are now available.

The most striking feature of the Leica M-P ‘Safari’ set is the unusual colour of the camera body. The top deck and baseplate of the Leica M-P are finished in a rugged and resilient olive green enamel that offers comfortable grip and lends the camera its distinctive look. The finishing touch to the safari-look of this special version of the Leica M-P is provided by its colour-matched, olive green leather trim. Silver chrome controls set a contrasting counterpoint in the colour scheme of the camera and ideally reflect the finish of the Leica Summicron-M 35 mm f/2 ASPH. and its classic round metal lens hood. Another outstanding feature of the Leica M-P ‘Safari’ set is the engraving on the camera body. As an homage to previous editions in olive green finish, today much sought after collector’s pieces, the camera of the Leica M-P ‘Safari’ sets bears the classic Leica script and the engravings ‘Leica Camera AG’ and ‘Wetzlar Germany’ on the top plate.

Only 50 cameras will see production.

leica-camera.com

  

MEL FRANK – WHEN WE WERE CRIMINALS

Posted on 2018-06-11

If you have consumed marijuana anywhere in the developed world over the past thirty years, you can most likely trace the variety you are consuming back to the work of Mel Frank and a handful of his California colleagues. Mel Frank, quite literally, wrote the textbook on marijuana. His 1978 tome, Marijuana Grower’s Guide Deluxe, was the first serious manual on how to grow cannabis. Combining research with practical experience, the book broke the seal on the often-secretive world of growers.

Mel was unique amongst his contemporaries in his love for documenting the process of marijuana cultivation as much as the product it yielded. His photographs were used as a means to chronicle and promote cannabis botany, illustrating numerous books and articles over his forty-year career. The images also served as the artist’s personal record of guerrilla growers and breeders who collectively helped create the seminal varieties that have come to define today’s marijuana. The photos are an intentional and descriptive record of what growing looked like at a particular time—before cultural acceptance, giant indoor grows and legalization. While representing long-ago criminality, they also represent innocence and optimism; many of the photos have a giddiness about them, an awe, maybe an aspect of braggadocio—look what we hid, see what we grew . . .

Opposite – Afghani1/Congolese backcrossed Afghani1, NY, 1982

Exhibition runs through to June 16th, 2018

M+B Photo
1050 North Cahuenga Boulevard
Los Angeles
CA 90038

www.mbphoto.com

  

JUNO CALYPSO – WHAT TO DO WITH A MILLION YEARS

Posted on 2018-06-04

For this exhibition Calypso has produced an accompanying limited edition booklet drawing on the found printed materials alongside her own photographs. That this house even exists is a far-fetched fantasy that even Calypso could not have possibly imagined, proving once again that truth is indeed eternally stranger than fiction.

Opposite – Subterranean Kitchen, 2017

Exhibition runs through to June 23rd, 2018

TJ Boulting
59 Riding House Street
London
W1W 7EG

www.tjboulting.com

  

AUGUST SANDER – MEN WITHOUT MASKS

Posted on 2018-06-04

Over the course of a career spanning six decades and tens of thousands of negatives, August Sander created a nuanced sociological portrait of Germany comprising images of its populace, as well as its urban settings and dramatic landscapes. Working in a rigorous fashion, he pioneered a precise, unembellished photographic aesthetic that was formative to the establishment of the medium’s independence from painting and presaged conceptual art. The artist considered empathy toward his sitters to be critical to his work, and strove not to impose a portrayal upon an unwilling subject, but to enable self-portraits.

This exhibition features an extensive selection of rare large-scale Sander photographs. Made between 1910 and 1931, the portraits on view paint a picture of Germany’s complex socio-economic landscape in the years leading up to and through the Weimar Republic. These early examples of Sander’s oeuvre — in particular, the ‘Portfolio of Archetypes’, — laid the framework for ‘People of the 20th Century’, the artist’s larger, lifelong effort to catalogue contemporary German society through his photographs and to reveal the truth of its ethnic and class diversity.

Opposite – Boxer (Boxers), 1929-1972, printed 1972

Exhibition runs through to July 28th, 2018

Hauser & Wirth
23 Savile Row
London W1S 2ET

www.hauserwirth.com