The collection is comprised of 14 cut-and-sew pieces with iconic scenes appearing as large graphics. Scenes like Neo stopping bullets, Trinity answering the payphone, The Matrix digital rain, and a menacing Sentinel make up the bulk of the capsule while small details like The Matrix typeface and a movie poster layout solidify this as a “must-have” collection for any hardcore Matrix fan.
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A rancher on the Arizona border becomes the unlikely defender of a young Mexican boy desperately fleeing the cartel assassins who’ve pursued him into the U.S.
In Theatres January 15th, 2021
TweetThe ice is getting thinner and the lonely polar bear is left to fend for himself.
Standing 8″ tall, this thought-provoking piece is our first collaboration with artist Kerby Rosanes. Made from polystone, the layers of the piece are achieved through a double casting method whereby the opaque skull and bear are casted within the ice.
Each purchase comes with an autographed limited art print.
This will ship in June 2021
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An exhibition of work by Claes Oldenburg and Coosje van Bruggen titled “There is no such thing as a perfect lamb chop” marks the inauguration of Paula Cooper Gallery’s new seasonal pop-up at 243A Worth Avenue opening on Saturday, December 5, 2020. The couple first began their working partnership in 1976 and, over the course of the next three decades, produced an extensive body of drawings, sculptures, and public commissions. The presentation at Paula Cooper Gallery includes examples from these important collaborative years, as well as works by Oldenburg made before their meeting and after van Bruggen’s passing in 2009.
Opposite – Claes Oldenburg, Tomates Farcies, 2015
Exhibition runs through to January 9th, 2021
Paula Cooper Gallery
243A Worth Avenue
FL, 33480 Palm Beach
USA
In 1973 and ’74, two Chicago photographers spent more than six months documenting the southern Louisiana region known as Acadiana, as well as its coastal outposts to the east. The exhibition Cajun Document: Acadiana 1973–74, featuring images by Douglas Baz and Charles H. Traub never before gathered as a comprehensive exhibition, visits Louisiana towns from Welsh to Erath, Mamou to Golden Meadow, capturing everyday life in living rooms and dance halls, on fishing boats, and at rural Mardi Gras festivities, as well as a sweeping view of the region’s industries and geography. The scenes Baz and Traub preserved comprise a relic of a time and place integral to the Louisiana story.
Opposite – Breaux Bridge Crawfish Festival, Breaux Bridge; 1974
Exhibition runs through to January 17th, 2021
Historic New Orleans Collection
410 Chartres St
New Orleans
LA 70130
When living in Sag Harbor, NY one of my great pleasures was taking the 10 minute ferry trip to Shelter Island (whose sleepy beauty starkly contrasts with the glitz and glamor of the Hamptons) and exploring/documenting Sylvester Manor. The island was originally inhabited by indigenous peoples, but was officially established as a slave holding provisioning plantation in 1652 by Nathaniel Sylvester, a sugar merchant from Barbados, who purchased the entire island for 1600 pounds of sugar.
Sylvester Manor has been in the Sylvester family for 11 generations. Descendants of Nathaniel Sylvester used slaves to work the plantation until early in the 19th century when slavery was abolished in the north. Sylvester Manor is almost 368 years old. What will this historic property be like in 50 or 100 years?
Opposite – Fallen tree
Exhibition runs through to January 12th, 2021
Griffin Museum of Photography
67 Shore Road
Winchester
MA 01890
