Posted on
2014-10-27
In 2012 Neville was nominated for the Pulitzer Prize for a commission by New York Times Magazine in which he documented the stark contrasts inherent in London society and subcultures. He subsequently lived amongst divergent communities in the industrial heartland of the US, creating work under commission by the Andy Warhol Museum.
Neville exhibits thirteen works two significant projects, side-by-side for the first time. The pairing of Here is London (2012) and Braddock/Sewickley (2012) contrasts British and American society, further emphasises social disparities, and yet reveals behavioral characteristics which are shared regardless of economic circumstance, cultural factors or geographic location.
In both series the artist confronts viewers with uncomfortable truths about imbalances that still exist in both countries. The artist’s concerns about division of wealth and racial segregation reverberate throughout Braddock/Sewickley. Sewickley is a community originally made prosperous by the steel industry, where the wealthy and almost exclusively white population socialise at exclusive country clubs, revering antiquated ideas of British high society. By contrast, neighbouring Braddock is a town with a mostly black community that has fallen on hard times with the collapse of the steel industry and where the crack cocaine epidemic of the early eighties is still having an affect.
The race divide in Pittsburgh, is startling in comparison to Neville’s images of the cosmopolitan British capital but Here Is London reflects how the divisive effects of class and money have changed little in the UK over the past forty years. Images of traders at the London Metal Exchange and dancing crowds at the society nightclub Boujis are exhibited alongside photographs of activist groups like Occupy London and life at community centres in Tottenham.
Opposite – Rumshakers, Nightclub no. 3, 2012
Exhibition runs from November 21st to January 24th, 2015
Alan Cristea Gallery
31 Cork Street
London
W1S 3NU
www.gagosian.com