3 GREAT SCOTS

Posted on 2021-03-01

Scotland has a history as a rugged land that fosters hard work, a spirit of independence and a strong connection to the environment. It is often remarked as ‘a hearty place for hearty souls.’ We are lucky enough to represent three photographers who have influenced contemporary photography and are products of a Scottish lineage. In this exhibition, “Three Great Scots” Harry Benson, Albert Watson and David Yarrow have produced three quite distinct acclaimed bodies of work.

Opposite – Albert Watson – Christy Turlington, New York City, 1990, ‘Contact’

Exhibition runs through to March 20th, 2021

Holden Luntz Gallery
332 Worth Avenue
Palm Beach
FL 33480

www.holdenluntz.com

  

ADRIENNE RAQUEL – ONYX

Posted on 2021-03-01

ONYX is a completely new photography series created by NYC-based photographer and art director Adrienne Raquel and commissioned by Fotografiska New York. In this alluring and provocative photographic exploration of the famed Club Onyx in Houston, TX, Raquel pushes past the polish and controlled sets of her commercial work, and captures exotic dancers in a more candid and intimate environment. With her signature attention to detail, portrayal of glamour and ability to capture radiant beauty in her subjects, Raquel highlights the nuances of Southern strip club culture while focusing on the relationship dynamics amongst the dancers.

Opposite – Where Dreams Lie, 2020

Exhibition runs April 22nd to September 26th, 2021

Fotografiska New York
281 Park Ave South/22nd
New York
NY 10010

maccarone.net

  

WENDEL WHITE – MANIFEST

Posted on 2021-03-01

The Manifest portfolio consists of photographic representations of objects, documents, photographs, and books held in various public collections throughout the U.S. These repositories include various elements of material culture such as diaries, slave collars, human hair, a drum, souvenirs, and other objects, some with great significance and others simply quotidian representations of daily life in the history of the African American community. I am increasingly interested in the residual power of the past to inhabit these material remains. The ability of objects to transcend lives, centuries, and millennia, suggests a remarkable mechanism for folding time, bringing the past and the present into a shared space that is uniquely suited to artistic exploration.

Manifest is an effort to seek out the artifacts and material evidence of the American construct and representation of race. The histories of slavery, abolition, segregation, the U.S. Civil War, and the Civil Rights Era are a few of the narratives that emerge in these photographs. The content is remarkable, visual evidence of lives and events; however, I also intend the viewer to consider this informal reliquary as a survey of the impulse and motivation to preserve history, memory and to imbue the remnants of material culture with power.

Opposite – Ambrotype of Frederick Douglass, National Museum of African American History and Culture, Washington, DC, 2016

Exhibition runs through to March 27th, 2021

Blue Sky Gallery
122 NW 8th Avenue
Portland
OR 97209

www.blueskygallery.org

  

ERIK HOFFNER – ICE VISIONS

Posted on 2021-02-22

Ice Visions is an informal collaboration between myself, the ice fishing community, and elemental forces. When fishing holes refreeze overnight, they create fertile ground for nature’s wild artistic side, and these perfectly augered circles become worlds at once interstellar and cellular, dreamlike and tactile.

The images on display depict ice designs I’ve documented during 20 years of exploring New England lakes and ponds. In the morning light, with tiny bubbles from below fixed in place by several inches of new ice, these scenes come to life as eyes, galaxies, stars, cells, and more when rendered in black and white.

Due to milder than usual temperatures during the past winter, on many mornings I found barely a skin of new ice covering the prior day’s fishing holes. Bubbles pooled up at the surface before freezing, creating striking new kinds of formations I’d never seen before, ones that perhaps reveal the fingerprint of a warming climate.

Erik Hoffner

Exhibition runs through to March 6th, 2021

Brattleboro Museum & Art Center
10 Vernon St
Brattleboro
VT 05301

www.brattleboromuseum.org

  

MITCH EPSTEIN – PROPERTY RIGHTS

Posted on 2021-02-22

In a series never shown before in a museum, pioneering color photographer Mitch Epstein (b. 1952) faces urgent, contemporary issues through his compelling photographs in Mitch Epstein: Property Rights. From Standing Rock protests to the Arizona and Texas borderlands, Epstein travels the country capturing images where public and private rights are often in conflict. Politics and citizenship, or environmental degradation and land rights, Epstein focuses on tough topics, helping us see overlapping, and often competing, histories and perspectives.

Opposite – Standing Rock, Prayer Walk, North Dakota 2018

Exhibition runs through to February 28th, 2021

Amon Carter Museum of American Art
3501 Camp Bowie Blvd.
Fort Worth
TX 76107

www.cartermuseum.org

  

THE 1970’S

Posted on 2021-02-22

The decade marks a historic turn in art history for photography. No longer was traditional landscape and documentary photography the same. Photography shared the spotlight with painting.

The subject of American landscape became not the natural but the altered. Images of our urban, and suburban landscapes by Ed Ruscha, Robert Adams and Bill Owens took hold. Garry Winogrand manically photographed the streets, brilliantly capturing people in moments of joy, oddity, drama, sport and truth. Major artists like John Baldessari, Lucas Samaras, Robert Rauschenberg, incorporated photography in their work. Feminist artists were reacting viscerally to their lack of equality. Ana Medieta used photography to document her powerful performances. Performance art became popular world-wide and necessitated photography to record temporary works and performances by Christo, Dennis Oppenheim, and the duo, Marina Abramovic and Ulay. Lee Friedlander found art in the banal, poetically documenting what we see every day, but seemed to miss. And the Photo Realist painters started painting the cookie cutter suburban scenes that photographers were documenting. It was a feverishly creative time for the medium of photography, that spanned the 1960’s – 1980’s, exploding in the 1970’s.

Opposite – Bill Owens: We like to play war, 1971

Exhibition runs through to February 28th, 2021

PDNB
154 Glass St. #104
Dallas
TX 75207

www.pdnbgallery.com