EADWEARD MUYBRIDGE – ANIMAL LOCOMOTION

Posted on 2017-08-21

A large-scale exhibition of photographs by pioneering early photographer, Eadweard Muybridge will open at Beetles+Huxley in July. The exhibition will showcase 65 collotype prints made by the artist in 1887, from his influential series “Animal Locomotion”, which features images of animals and people captured mid-movement.

Muybridge made his most enduring work in the project “Animal Locomotion” between 1884 and 1887 for the University of Pennsylvania, Philadelphia. Each plate in the series shows the same subject in sequential phases of one action. Muybridge recorded varied forms of movement in a wide range of animals, mostly taken at Philadelphia zoo, from pigeons in flight to the subtleties of gait found in sloths, camels and capybaras. Muybridge also documented human subjects walking, running and descending staircases and engaging in boxing, fencing, weight lifting and wrestling.

The works in this exhibition will collectively demonstrate how “Animal Locomotion” broke new ground in terms of both science and the emerging art form of photography. Muybridge’s work from this period has contributed to the science of physiology and biomechanics and the photographs have had a profound influence on a wide range of artists, including artists Marcel Duchamp, Francis Bacon, Jasper Johns and Cy Twombly.

Opposite – Animal Locomotion: Plate 692 (Stag Running) (1887)

Exhibition runs through to September 2nd, 2017

Beetles+Huxley
3-5 Swallow Street
London
W1B 4DE

www.beetlesandhuxley.com

  

ARTHUR ELGORT

Posted on 2017-08-21

The fashion photographer made his name capturing big name models for Vogue. 40 years’ worth of his work will go on show in his first UK solo exhibition.

Opposite – Christy Turlington, New Orleans, 1990

Exhibition runs through to September 2nd, 2017

Atlas Gallery
49 Dorset St
Marylebone
London
W1U 7NF

www.atlasgallery.com

  

MORGAN DE LAPORTE – DAYDREAMING

Posted on 2017-08-14

Morgan de Laporte is a French photographer focused on street and travel photography. Mixing analogue and digital tools, he shows here his journey around Honshu Island.

This series of photographs explore the Japanese rythmes of life. Travelling through the gigantic mazes of Tokyo, Osaka and Yokohama, always in the spectator’s position. He captures the workers and dreamers of Japan’s sprawling megalopolis; frozen moments of cities in constant movement and its inhabitants who snooze and feed these never-sleeping giants.

Exhibition runs through to August 31st, 2017

Sway Gallery
70-72 Old Street
London
EC1V 9AN

sway-gallery.com

  

LUKE WILLIS THOMPSON – AUTOPORTRAIT

Posted on 2017-08-14

For his exhibition at Chisenhale Gallery, Thompson presents a portrait of Diamond Reynolds. In July 2016, Reynolds broadcast, via Facebook Live, the moments immediately after the fatal shooting of her partner Philando Castile by a police officer during a traffic-stop in Minnesota, United States. Reynolds’ video circulated widely online and amassed over six million views.

In November 2016, with the assistance of Chisenhale Gallery, Thompson established a conversation with Reynolds, and her lawyer, and invited Reynolds to work with him on the production of an artwork. Thompson proposed to make an aesthetic response that could act as a ‘sister-image’ to Reynolds’ video broadcast. Thompson and Reynolds agreed to produce a film together, to be presented in London, and which would break with the well-known image of Reynolds, caught in a moment of violence and distributed within a constant flow of news.

The final work was produced in April 2017. It is a silent portrait of Reynolds shot on 35mm, black and white film and presented in the gallery as a single screen work.

Opposite – Installation view

Exhibition runs through to August 27th, 2017

Chisenhale Gallery
64 Chisenhale Road
London
E3 5QZ

chisenhale.org.uk

  

EMMA ELIZABETH TILLMAN – DISCO BALL SOUL

Posted on 2017-08-14

Disco Ball Soul is the culmination of 10 years worth of memories. Consisting of personal photographs, diaries, and collages that combine the two; each piece is the obsessive record of a time and place in the artists life.

The collection started in 2007 in a hand built cottage in rural France. With no running water, no electricity and only a fireplace for heat, Tillman meticulously recorded her rocky experience of stealing potatoes and beet greens from the local fields, scavenging for firewood on the beach and trying desperately to maintain her relationship among the challenges of language, isolation, weather, and being flat broke. With each entry in her diary, Tillman was able to save the memory, to mark the passing of time and make sense of the unreliable thoughts that raced through her mind. By living each day twice, first through it’s experience and lastly by writing it down, Tillman was able to create a world that suited her more than the one outside her own mind. To shape its corners, to fill the pages of her diary with her life Tillman allows herself to experience the color of it again and again and again. She is an island unto herself and the people and places that exist with and around her are elevated to mythic status, imbued with mystery and considered in all their complexity. Her photography accomplishes this same intention. It was on this trip that a renewed interest in photography was sparked. After having learned to work in the dark room at age 14, Tillman had lost the passion for taking and printing photographs by the time she entered college. She focused instead on her writing. But when her boyfriend gave her his grandmother’s Pentax camera for her 21st birthday, her interest was revived. Among the early subjects of this revival was the magnificent desolation of the Arizona desert and Rick, the boyfriend who lived there in a crumbling adobe.

Opposite – At home in the Hollywood Hills, May 2016

Exhibition runs through to August 29th, 2017

Gallery 46
46 Ashfield St
London
E1 2AJ

gallery46.co.uk

  

FRANK PAULIN – NEW YORK, THE EARLY YEARS

Posted on 2017-08-07

Bruce Silverstein is pleased to present an online exhibition devoted to the photographs of Frank Paulin, predominantly captured in the 1950s on the streets of New York City. Many of these early images by Paulin were featured in a 1957 solo exhibition at Helen Gee’s pioneering gallery and café, Limelight—then New York’s only gallery for fine art photography, as well as a local hangout for the great photographers of the time. Despite the fact that his 1957 solo show at Limelight predated the recognition of photography as a commonly appreciated medium, admiring reviews for the show appeared in the New York Times as well as the Village Voice, praising Paulin’s ‘humor and compassion’ and his uncanny ability to perceive irony and record what they referred to as ‘poetic accidents.’

Opposite – West Side Story, New York, 1956

Exhibition runs through to September 1st, 2017

Bruce Silverstein Gallery
535 West 24th Street
New York
10011 NY

www.brucesilverstein.com