Posted on
2017-08-28
Freed (born 1929, Brooklyn, died 2006, Garrison, New York) was one of the leading photographers of the post-War era. Culled from Freed’s extensive archive, this exhibition presents over 75 vintage black and white prints from six of the photographers most important bodies of work. Freed has been the subject of numerous recent museum exhibitions surveying the six decades of his work, but this is the first exhibition that elucidates in depth Freed’s six earliest and most personal stories. Two examine his Jewish roots, in Brooklyn and in Israel. Two portray blacks in white America, people with whom he identified strongly. Two portray the defeated enemies of the recent World War, as Freed seeks to come to terms with them. The six stories are: the Hasidics of Brooklyn, 1954; Harlem, 1963; Black in White America, 1963-65; Israel, 1962 and 1967; Italy 1956-58; Germany, 1961-66. To each of these stories Freed brought a singular humanist vision, a deep concern for individuals that is both politically sophisticated and morally engaged.
As a young man searching for his mission Freed launched his career in photography in the late 1940s, the era traumatized by a genocidal World War and a planet-threatening Cold War. Freed was at the center of a new photographic ethos developing at the international Magnum photo agency and under the concept of “the concerned photographer.” Freed brought to the collective effort a unique sensibility. His pictures emphasize the particular struggles and triumphs of unique individuals living in traumatized but recovering societies.
Opposite – Summertime in Harlem, NY, 1963
Exhibition runs from September 14th through to October 21st, 2017
Steven Kasher Gallery
521 West 23rd Street
New York
10011 NY
www.stevenkasher.com
