KK DEPAUL – ONLY CHILD

Posted on 2018-09-17

When he was five, his daddy was hanged for murder.
When he was six, his mother left him on the steps of the orphanage.
Later, when he was much older, he tried to kill himself…and when it didn’t work the first time…he tried it again.
This lost boy became my dad, and I was his only child. He was my first love…the man against whom I measured all others. It is only now, eight years after his death, that I have come to understand how much my sense of ‘normal’ was colored by my dad’s dysfunctional past.
My childhood was a study in duality. Our relationship was a complex two-step, and I was never quite sure who was leading. After his two suicide attempts, the dynamic changed and I became the parent and he became the child.
And the dance began again.

“I began this project eight years ago when my father’s death left a raw open wound. Somehow I knew that over time the weight of loss would ease, and I would be compelled to revisit…to reassess…and to find connections between that wounded man-child and the solemn little girl who became his lifeline.”

KK DePAUL

Exhibition runs through to October 20th, 2018

Corden Potts Gallery
49 Geary Street
suite 410
San Francisco
94108 CA

www.cordenpottsgallery.com

  

JASHUA LUTZ – MIND THE GAP

Posted on 2018-09-10

“Mind the Gap” points to the physical and psychological gap one confronts in daily life. It is a reference to the gap between thoughts as well as the gap between comprehension and confusion. Caught between thinking something is one thing and the reality of what it actually is, “Mind the Gap” functions as a reminder of the effort needed to let go of the stories we tell ourselves and to rest for a brief moment in the here and now.

“There are these two worlds vying for my attention at all times. In one of them this diagnosis has metastasized to the brain and I am no longer able to care for my children. The bank takes over the house and I become an albatross in hands not fully formed. . . In the other world, noise shuts down for a very split second and the smallest fragment of light becomes a pathway to immortality. Color is no longer a placeholder and language no longer a tool. . . You can read this as small moments of clarity or large chunks of confusion. Either way, they mix with the noise and become gaps I long to possess.”

Joshua Lutz

Opposite – House of Cards

Exhibition runs through to September 22nd, 2018

ClampArt
521 – 531 West 25th Street
New York
10001 NY

clampart.com

  

SELVES AND OTHERS

Posted on 2018-09-10

The most compelling photographic portraits reveal more than simply a sitter’s physical appearance – they hint at an individual’s character, suggest a psychological state, or perhaps even offer a glimpse of the sitter’s soul. Drawn from the many generous gifts Carla Emil and Rich Silverstein have donated to SFMOMA’s collection since the late 1990s, this exhibition features portraits of the self; of personas or avatars; of family members, lovers, and friends; and of strangers. Made from the nineteenth century to the present and organized thematically, the works in the exhibition were created by artists including Claude Cahun, Rineke Dijkstra, Man Ray, Cindy Sherman, and Gillian Wearing, among many others.

Opposite – Dora Maar, Double Portrait, 1930s

Exhibition runs through to September 22nd, 2018

San Francisco Museum of Modern Art SFMOMA
151 Third Street
San Francisco
94103 CA

www.sfmoma.org

  

PETER FRASER – MATHEMATICS

Posted on 2018-09-10

Since the early 1980s, Peter Fraser has been at the forefront of pioneering colour photography as fine art. With an almost obsessive focus on the ‘stuff’ of the world, Fraser is concerned with the matter that comprises our everyday. Rather than constructing his photographs, Fraser establishes a conceptual framework through which to respond to found images and situations. He treats panoramic landscape and the smallest details with the same intense attention, revealing the incidental beauty and strangeness of our surroundings.

For his exhibition at Camden Arts Centre, Fraser presents his most recent body of work Mathematics. Reflecting on the idea that time, space, and everything within it, can be described mathematically, Fraser brings together a series of photographs of seemingly disparate and unrelated objects and encounters – including still lifes, landscapes and portraiture. Through their oblique juxtaposition and his almost analytical focus, he draws attention to the underlying patterns and forces which shape the world and our perception of it, as well as the systems of belief through which we try to understand and describe it. In this way his work might be seen to draw our attention to the spectacular and interconnected nature of everything that surrounds us, from the sublime to the mundane.

Opposite – Untitled 2016

Exhibition runs through to September 16th, 2018

Camden Arts Centre
Arkwright Road
London
NW3 6DG

www.camdenartscentre.org

  

LIGHT + METAL

Posted on 2018-09-03

The 14 artists in Light + Metal are reacting to the proliferation of digital photographic technologies by experimenting with traditional, metal-based processes and materials, including silver-gelatin paper, cyanotype, and wet collodion, to create unique photographic objects — often without using a camera.

Works in Light + Metal employ 19th and 20th-century processes to address three main concerns, the first of which confronts a core tenet of photography: rendering light on a surface. In some works, such as those by Julie Weber and Michael Jackson, light itself becomes the subject. Other artists, including Meghann Riepenhoff, Anne Arden McDonald, and David Ondrik, push the boundaries of photographic materials. All the works included in Light + Metal challenge the notion of a photograph as a convincing representational image.

Opposite – Vanessa Marsh, Untitled #36

Exhibition runs through to September 15th, 2018

Photo-eye Gallery
541 S. Guadalupe St
Santa Fe
87501 NM

www.photoeye.com

  

CLARENCE H. WHITE AND HIS WORLD

Posted on 2018-09-03

This exhibition is the first in over forty years to survey the work of Clarence H. White (United States, 1871–1925), a founding member of the Photo-Secession, a gifted photographer known for his beautiful scenes of quiet domesticity and outdoor idylls, and a major teacher and mentor. It will survey White’s career from its beginnings in 1895 in Newark, Ohio, to his death in Mexico in 1925.

Opposite – Drops of Rain [Dew Drops] (detail), 1902

Exhibition runs through to September 16th, 2018

Portland Museum of Art
7 Congress Square
Portland
4101 ME

www.portlandmuseum.org