IN HIGH FASHION

Posted on 2009-03-16

An exhibition of 175 works by Edward Steichen drawn largely from the Condé Nast archives, this is the first presentation to give serious consideration to the full range of Steichen’s fashion images.
Steichen’s approach to fashion photography was formative and over the course of his career he changed public perceptions of the American woman. An architect of American Modernism and a Pictorialist, Steichen exhibited his fashion images alongside his art photographs. Steichen’s crisp, detailed, high-key style revolutionized fashion photography, and his influence is felt in the field to this day—Richard Avedon, Robert Mapplethorpe, and Bruce Weber are among his stylistic successors.

Opposite – Model Marion Morehouse and unidentified model wearing dresses by Vionnet, 1930.

This exhibition runs until the 3rd of May, 2009

International Center Of Photography
1133 Avenue of the Americas at 43rd Street
New York
NY
10036
USA

www.icp.org

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CHRISTINA KRUSE – REISEBUCH 1-5

Posted on 2009-03-09

Steven Kasher Gallery is proud to present the first American exhibition of Christina Kruse. The exhibition launches the publication of Reisebuch 1-5, Kruse’s limited edition artist’s book, and will feature other significant recent work by Kruse including photographs, photo collages illuminated in watercolor and other media, and a series of photograms. Although Kruse is perhaps better known as one of European haute couture’s top fashion models, her work as an artist and photographer has been recognized for over a decade, shown by well-regarded galleries in Paris and Germany, and featured in Vogue, Interview, Harper’s Bazaar, Glamour, i-D and Mixte.

This exhibition runs until the 28th of March 2009

Steven Kasher Gallery
521 West 23 St. Second Floor
New York
NY
10011
USA

www.whyte.org

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THE RESIDUAL LANDSCAPES

Posted on 2009-03-09

The Whyte Museum of the Canadian Rockies is thrilled to unveil its new feature exhibition, Edward Burtynsky: The Residual Landscapes, showcasing 25 years of the photographer’s inspiring and thought-provoking large-scale photographs.
Featured opposite Nickel Tailings #30, Sudbury, Ontario, 1996.

Edward Burtynsky is one of Canada’s most respected and celebrated photographers. He’s made it his life’s work to document humanity’s impact on the planet. Burtynsky’s riveting images, as beautiful as they are disturbing, capture views of the earth altered by mankind. A mountain of tires, a river of fluorescent orange sludge from a nickel mine and a massive man-made canyon carved deep into the earth to reach its oil riches – these are just some of the many eye-opening images in this moving exhibition.

“These images are meant as metaphors to the dilemma of our modern existence; they search for a dialogue between attraction and repulsion, seduction and fear,” said Edward Burtynsky, photographer. “We are drawn by desire – a chance at good living, yet we are consciously or unconsciously aware that the world is suffering for our success. Our dependence on nature to provide the materials for our consumption and our concern for the health of our planet sets us into an uneasy contradiction. For me, these images function as reflecting pools of our times.”

Burtynsky’s remarkable photographic depictions of global industrial landscapes are in the collections of several major museums around the world including the National Gallery of Canada, the Bibliothèque nationale de France in Paris, the Museum of Modern Art and the Guggenheim Museum in New York.

This exhibition runs until the 26th of April 2009

The Whyte Museum
111 Bear Street
Banff
Alberta
Canada

www.whyte.org

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GREGORY CREWDSON TALKS

Posted on 2009-03-09

Famed photographer Gregory Crewdson will present the inaugural discussion in a series sponsored by the Photography Society of The Nelson-Atkins Museum of Art. The artist’s talk is scheduled for 6 p.m. March 12 in Atkins Auditorium at the Museum. Crewdson’s work has been widely exhibited and reviewed. He makes large-scale photographs of elaborate and meticulously staged tableaux, which have been described as “micro-epics” that probe the dark corners of the psyche.

Working in the manner of a film director, he leads a production crew, which includes a director of photography, special effects and lighting teams, casting director and actors. He typically makes several exposures that he later digitally combines to produce the final image. “Crewdson is one of the most daring and inventive contemporary artists using photography,” said Keith F. Davis, Curator of Photography at the Nelson-Atkins. “His meticulously crafted works are immensely rich in both narrative and psychological terms. They prod us to rethink our ‘usual’ relationship to photographs as physical objects and as records of worldly fact. Crewdson is a genuinely important figure in today’s art world. He has an international reputation and has influenced an entire generation of younger photographic artists.”

Attendance to the program is free, but tickets can be obtained in advance online at www.nelson-atkins.org

www.nelson-atkins.org

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WILLIAM EGGLESTON – DEMOCRATIC CAMERA

Posted on 2009-03-02

I had this notion of what I called a democratic way of looking around: that nothing was more important or less important. William Eggleston the american artist william eggleston (b1939, memphis, usa) is considered to be one of the most idiosyncratic photographer’s of the 20th century. this comprehensive retrospective follows his artistic development from the early black-and-white images and pioneering transition to colour photography, all the way to the present day. This exhibition is organised by whitney museum of american art, new york in cooperation with haus der kunst munich.

This exhibition runs until the 17th of May 2009

Haus der kunst
Prinzregentenstrasse 1
80538 Munich
Germany

www.hausderkunst.de

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A PHOTOGRAPHER’S LIFE

Posted on 2009-03-02

A family album, a comprehensive exhibition, and a personal diary – Annie Leibovitz’s photographs from her private life and professional work merge seamlessly into a chronicle of the events, official commissions, and personal stories of the last fifteen years. C/O Berlin presents “A Photographer’s Life” as first and only venue in Germany. The exhibition comprises a total of 200 photographs, many of them large-format works and monochrome landscapes, as well as a number of private family photos and small format black and white portraits.

Opposite – My Brother Philip and My Father, Silver Spring, Maryland, 1988, Annie Leibovitz

This exhibition runs until the 24th of May 2009

C/O Berlin
Postfuhramt
Oranienburger Straße
Tucholskystraße
10117 Berlin
Germany

www.co-berlin.info

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