MEL FRANK – WHEN WE WERE CRIMINALS

Posted on 2018-06-11

If you have consumed marijuana anywhere in the developed world over the past thirty years, you can most likely trace the variety you are consuming back to the work of Mel Frank and a handful of his California colleagues. Mel Frank, quite literally, wrote the textbook on marijuana. His 1978 tome, Marijuana Grower’s Guide Deluxe, was the first serious manual on how to grow cannabis. Combining research with practical experience, the book broke the seal on the often-secretive world of growers.

Mel was unique amongst his contemporaries in his love for documenting the process of marijuana cultivation as much as the product it yielded. His photographs were used as a means to chronicle and promote cannabis botany, illustrating numerous books and articles over his forty-year career. The images also served as the artist’s personal record of guerrilla growers and breeders who collectively helped create the seminal varieties that have come to define today’s marijuana. The photos are an intentional and descriptive record of what growing looked like at a particular time—before cultural acceptance, giant indoor grows and legalization. While representing long-ago criminality, they also represent innocence and optimism; many of the photos have a giddiness about them, an awe, maybe an aspect of braggadocio—look what we hid, see what we grew . . .

Opposite – Afghani1/Congolese backcrossed Afghani1, NY, 1982

Exhibition runs through to June 16th, 2018

M+B Photo
1050 North Cahuenga Boulevard
Los Angeles
CA 90038

www.mbphoto.com

  

JUNO CALYPSO – WHAT TO DO WITH A MILLION YEARS

Posted on 2018-06-04

For this exhibition Calypso has produced an accompanying limited edition booklet drawing on the found printed materials alongside her own photographs. That this house even exists is a far-fetched fantasy that even Calypso could not have possibly imagined, proving once again that truth is indeed eternally stranger than fiction.

Opposite – Subterranean Kitchen, 2017

Exhibition runs through to June 23rd, 2018

TJ Boulting
59 Riding House Street
London
W1W 7EG

www.tjboulting.com

  

AUGUST SANDER – MEN WITHOUT MASKS

Posted on 2018-06-04

Over the course of a career spanning six decades and tens of thousands of negatives, August Sander created a nuanced sociological portrait of Germany comprising images of its populace, as well as its urban settings and dramatic landscapes. Working in a rigorous fashion, he pioneered a precise, unembellished photographic aesthetic that was formative to the establishment of the medium’s independence from painting and presaged conceptual art. The artist considered empathy toward his sitters to be critical to his work, and strove not to impose a portrayal upon an unwilling subject, but to enable self-portraits.

This exhibition features an extensive selection of rare large-scale Sander photographs. Made between 1910 and 1931, the portraits on view paint a picture of Germany’s complex socio-economic landscape in the years leading up to and through the Weimar Republic. These early examples of Sander’s oeuvre — in particular, the ‘Portfolio of Archetypes’, — laid the framework for ‘People of the 20th Century’, the artist’s larger, lifelong effort to catalogue contemporary German society through his photographs and to reveal the truth of its ethnic and class diversity.

Opposite – Boxer (Boxers), 1929-1972, printed 1972

Exhibition runs through to July 28th, 2018

Hauser & Wirth
23 Savile Row
London W1S 2ET

www.hauserwirth.com

  

CINDY SHERMAN

Posted on 2018-06-04

Sherman’s current exhibition marks over three decades and seventeen exhibitions with Sprüth Magers. On view is her most recent body of work from 2016, which debuted in Europe at the Berlin gallery last year. Now, the show has been brought to the UK and includes several new and previously unseen works. In the large-scale colour portraits, the artist imagines herself as a cast of ‘grandes dames’ from the Golden Age of 1920s Hollywood cinema. Differing from Sherman’s earlier series, these actresses are presented outside of the filmic narrative, posing instead for what seem to be formal publicity shots. Despite their elaborate garb, coiffed hairdos and painted faces, the leading ladies are clearly in their twilight years, and the grave stoicism of their expressions gives way to instances of poignant vulnerability: fine lines emerge through caked-on make-up, and sinewy, aged hands seem at odds with the smooth polish of their owners’ faces. The actresses pose against digitally manipulated backgrounds that are suggestive of the film sets and backdrops of yesteryear. Skyscrapers, a busy café scene, manicured gardens and a classical landscape all feature within the series. One photograph created earlier this year, displays four actresses in different coloured tulle costumes. Seated together, they reference the historic popularity of sister acts in the entertainment industry.

Opposite – Untitled #477, 2008

Exhibition runs through to September 1st, 2018

Sprueth Magers
7 Grafton St
Mayfair
London W1S 4EJ

www.spruethmagerslondon.com

  

MARK STEINMETZ – TERMINUS

Posted on 2018-05-28

For the past few years, artist Mark Steinmetz has photographed in, around, and above Hartsfield-Jackson Atlanta International Airport, through which approximately 100,000,000 passengers, 1,000,000 flights, and 650,000 tons of cargo pass every year. Using the world’s most heavily trafficked airport as his home base, Steinmetz closely considers the activity and interactions that take place at this crossroads of the contemporary South. The exhibition is comprised of over 60 never-before-exhibited photographs.

Steinmetz’s approach is improvisational, and he is particularly masterful at capturing the ordinary-yet-fascinating human dramas that play out in the public spaces throughout the airport. His black-and-white photographs lend a poignant perspective on how this gateway to the wider world is a place of delightful paradoxes: a massive modern complex that sits in the midst of a sublime natural environment, a bustling global transit hub that is the site of solitary individual experiences, and a stifling bureaucratic tangle that is a portal to possibility and opportunity.

Opposite – Untitled, 2016

Exhibition runs through to June 3rd, 2018

High Museum of Art
1280 Peachtree Street
N.E. Atlanta
30309 GA

www.high.org

  

WENDY EWALD – WORKS, COLLABORATIONS 1975 – 1996

Posted on 2018-05-28

The exhibition features over 70 black and white vintage prints from seven of Ewald’s earliest projects. It begins with her first extended collaboration in Kentucky in 1975 and includes projects from Mexico (1991), India (1989-1991), the Netherlands (1996), Colombia (1982-1985), South Africa (1992) and Morocco (1995). For over 40 years, Ewald has traveled the globe as part of a sustained and evolving artistic and educational project. In each new location, Ewald begins by addressing the conceptual, formal, and narrative aspects of photography with her students, as well as making portraits of them. She teaches them to use the camera, many for the first time. Leaving the subject matter open, the children are free to explore societal issues that are relevant to their communities, including race, class, and gender. The results are poetic and vibrant portraits that reveal intimate connections between her students and their worlds.

Opposite – Untitled, The Netherlands, 1996

Exhibition runs through to June 2nd, 2018

Steven Kasher Gallery
521 West 23rd Street
New York
10011 NY

www.nga.gov