Mysterious German producer His Master’s Voice makes his debut on Delsin Records. With three mind bending originals and an absorbing Vril rework on board his entry on the Delsin e-series is a deeply immersive beat trip into another dimension.
1 His Master’s Voice – Fire Red
2 His Master’s Voice – Eve
3 His Master’s Voice – Transition
4 His Master’s Voice – Eve (Vril Remix)
The title of the show is borrowed from American ‘beat’ poet Lawrence Ferlinghetti’s “I Am Waiting” – his celebrated commentary on the problems in American society and the need for a better life, the rebirth of a new wonder. The mood of the poem is a call for a change of consciousness.
Jefferson Hack said: “The artists in Transformer look deeply into the present and see the future. Each artist is a powerful mediator of their community and culture, using storytelling, poetics, and ritual to author new narratives and expand our field of vision. They are world-makers, inviting us to access altered states of consciousness as we step beyond reality into a series of highly authored, staged environments.”
Transformer welcomes the diversity of voices that come with an exploration of identity, representation and self-image and considers how coming together, sharing, bonding, taking action, building alliances and showing compassion is shaping the future to connect and affect change.
Exhibition runs through to December 8th, 2019
180 The Strand
London
WC2R 1EA
The raincoat is crafted in 100% polyurethane leather for a glossy feel and features a hood for protection from the elements, as well as drawstring closures around the neck and sleeves. It’s dotted with black buttons and hardware throughout, providing stark contrast against the bright yellow hue. A striking Bose emblem on the back of the style adds a final dark contrast, finishing out the key details.
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Taken from the new Datassette release, ‘Existenzmaximum EP’.
TweetThis special release of ‘A.L.T.O.’ sees it linked with a remix from David Shrigley and Lee Baker, who manage to remove all traces of bubblegum glee from the track by turning it into a doom-metal slouch. Shrigley’s instantly-recognisable line-drawing style is used for the tape’s artwork, too.
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