MATT BRYANS

Posted on 2013-01-21

Bryans has recently transferred his process of erasure from newspaper cuttings to brick. As with his newspaper works he has taken a pre-existing, familiar material and eroded the surface, revealing new forms. Bryans has not only used a local material but also one that is heavily associated with Englishness. Bricks are the foundation of England’s built environment and were the cornerstone of the industrial revolution. The old lives of these bricks, found in bombsites and other places in and around London, are carved into an odd, organic demeanour. Freed from their mortar they are sculpted into something that appears to have been eroded by nature.

The newspaper collages are Bryans’ take on the ancient English theme of landscape. The artist has described them as “annihilated landscapes”. They are a profusion of archetypal and empty spaces suffused with a melancholy presence. In Bryans’ work a poetic transformation takes place, an alchemy with contemporary and banal found materials, producing something suggestive of worlds that exist in some legendary or fictional past tense. Examining his works there is a sense that we are penetrating the surface of things, getting under the skin of the world. His hallucinatory newspaper landscapes also seem to reflect political issues buried in our contemporary landscape.

Exhibition runs February 13th to April 7th, 2013

Kate MacGarry
27 Old Nichol Street
London
E2 7HR

www.katemacgarry.com

  

BRICE MARDEN – RED YELLOW BLUE

Posted on 2013-01-21

This is the first time that all four paintings comprising the historic group have been shown together, with loans from MOCA, Los Angeles, The Albright Knox Museum, Buffalo, and private collections in the U.S. Fourth Figure (Red Yellow Blue) (1973–74), a related painting that treats the chromatic primaries as a composition of three horizontal bands, will also be on view.

Marden’s early monochromatic paintings exist as single panels, diptychs and triptychs. Restraining the gestural intensity of Color Field painting through contemplative reserve and calm, their inscrutable surfaces belie a nuanced equilibrium between emotive passion and formal rigor.

In each of the Red Yellow Blue paintings (1974), Marden painted slabs of dense yet nuanced color on three adjoined canvas panels, using oil paint mixed on the spot with melted beeswax and turpentine and applied with a knife and spatula. The dull sheen of the encaustic medium intensifies the bold, contrasting color blocks, built up through the temperamental layering process that yielded such intricately worked surfaces. The spirited variations within each “primary” trio (where red can range from cadmium to almost black, yellow from ochre to saffron, and blue from cobalt to sullen indigo) are rich with interpretative possibility, like musical chords improvised in major and minor keys.

Opposite – Red Yellow Blue III, 1974

Exhibition runs through to February 23rd, 2013

Gagosian Gallery
980 Madison Avenue
New York
NY
10075

www.gagosian.com

  

FRANK KOZIK X PUMA SUEDE – DENIM PACK

Posted on 2013-01-21

Spanish-American artist Frank Kozik is working with the Puma Suede, for the second time around. Kozik, unhappy with the suede set up, decided to swap the classic material with a set of faded denims. The overall silhouette, and the fat laces, remain unchanged. The three sneaker release will be available exclusively in Argentina on January 25th.

www.puma.com
www.frankkozik.net

  

PATTA X KANGAROOS SLANTBACK HIKING BOOT

Posted on 2013-01-21

Continuing their three year contract, Patta has teamed up with KangaROOS on an urban-inspired hiking boot that updates the classic Slantback first released in 1988. The new boot includes an updated shape along with a clean mixture of nubuck, suede, and Cordura. The black and grey upper contrasts against a white midsole with a popping purple stripe.

Included with each pair is a Maglite Solitaire branded with the Patta X KangaROOS logo.

www.patta.nl
www.kangaroos.com

  

REEBOK X KEITH HARING FOUNDATION

Posted on 2013-01-21

Reebok will be introducing an unique collaboration with the Keith Haring Foundation that will bring the late artist’s bold graffiti-influenced artwork to signature Reebok Classic footwear.

The new collaboration is the latest in the brand’s popular Affili’Art program, which has produced collections with the likes of Jean-Michel Basquiat and Ryan McGinness and sees Reebok Classic working with Haring’s well-known icons, the antic Everyman, Barking Dog and Radiant Baby and for the first time, a range of interpretations of unique paintings and drawings, to present a collection that fuses fashion and art and embodies the individuality of this remarkable artist.

The distinctive collection features much-loved Reebok Classic silhouettes, the Classic Leather, Classic Leather Mid, NPC II, Workout Plus and Freestyle, that were first introduced during the 1980s, around the same time as some of Haring’s most acclaimed work.

www.reebok.co.uk
www.haring.com

  

SELLING DREAM – 100 YEARS OF FASHION PHOTOGRAPHY

Posted on 2013-01-21

In 1984, Irving Penn commented that he saw his role at Vogue as ‘selling dreams, not clothes’. Selling Dreams is the first touring exhibition from the V&A’s Collection to explore the work of international fashion photographers and to draw together such a broad range of important historic and contemporary fashion images.

The photographs reflect key themes in fashion photography throughout the past hundred years featuring more than twenty major fashion photographers.

Exhibition runs from February 2nd to April 20th, 2013

Aberdeen Art Gallery
Schoolhill
Aberdeen
AB10 1FQ

www.aagm.co.uk