ALEX CHINNECK – A BULLET FROM A SHOOTING STAR
2015-10-07In collaboration with Greenwich Peninsula, the London Design Festival has commissioned A bullet from a shooting star, a Festival Landmark Project and outdoor installation at Greenwich Peninsula by sculptor Alex Chinneck, taking the unconventional form of a upside down electricity pylon.
The 35-metre high structure has been designed to be seen from a distance, and can be viewed from North Greenwich Station, the Emirates Airline cable car, the Thames Clipper service, Canary Wharf and all planes that fly to and from City Airport. Illuminated at night, the work acts as a literal beacon and will project a maze of latticed shadows.
A bullet from a shooting star contains a combined length of 1186m of steel weighing 15 tons. There are 450 pieces of steel with 900 engineered connection points. The foundations will include 19m deep piles within 78m³ of concrete.
Referencing the industrial history of the site which once included the largest oil and gas works in Europe and a steelworks, Alex Chinneck will create a lattice of steel, that resembles an upside down pylon, leaning at a precarious angle as though shot into the earth. The construction and materials will reflect the same visual and material language of multiple structures across the Peninsula, particularly the redundant gas tower located on site while also evoking the idea of power generation and supply.
Chinneck’s indoor and outdoor works have been conceived to share a dialogue that links the East and the West of the Peninsula. Physically separated yet sculpturally connected they will encourage visitors to explore both areas of the expansive and extraordinary district and unravel its rich history.
Alex Chinneck says “Every project I produce is contextually sensitive and so each installation responds to the environment that supports, surrounds and includes it. It is this philosophy that distinguishes the sculptural decisions behind the two installations. In a similar fashion to my previous projects, which have seen bricks bend, stone hover and tarmac curl, the effortlessly rolling metal transcends its material nature by assuming an apparent and pleasing flexibility.”
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