HERMAN MILLER GAMING EMBODY CHAIR

Posted on 2026-01-05

Designed to give players more options for personal expression, the new versions follow the same ergonomic blueprint as the original Embody Gaming Chair – a design developed in partnership with Logitech G and introduced in 2020. Both new models feature the chair’s signature pixelated support system, copper-infused cooling foam, and flexible backrest, intended to maintain posture, balance, and comfort during extended gaming sessions.

Designed to give players more options for personal expression, the new versions follow the same ergonomic blueprint as the original Embody Gaming Chair – a design developed in partnership with Logitech G and introduced in 2020. Both new models feature the chair’s signature pixelated support system, copper-infused cooling foam, and flexible backrest, intended to maintain posture, balance, and comfort during extended gaming sessions

store.hermanmiller.com

  

DICKIES X GUNDAM STRICT-G

Posted on 2026-01-05

The collection reimagines the Texas-born workwear brand’s staples through the lens of the anime’s warring factions, offering distinct designs for both the Earth Federation Forces and the Principality of Zeon.

Leading the drop are the modified 874 Work Pants, which maintain the model’s classic wide silhouette while incorporating specific color palettes and detailing representative of each military force. Complementing the bottoms are two graphic T-shirts that fuse the Dickies logo with original Gundam artwork.

dickies.com
www.strict-g.com

  

ASHIMA YADAVA – FONT YARD

Posted on 2026-01-05

Rooted in the symbolic space of the “front yard,” the exhibition frames domestic thresholds as sites where personal histories, cultural memory, vulnerability, and resilience intersect. Here, the home becomes both a literal and metaphorical landscape—one that reflects love, fear, silence, and survival across diverse communities in the San Francisco Bay Area.

At the heart of this body of work is Yadava’s refusal of the traditional, one-sided documentary gaze. Instead, she invites her subjects into the image-making process itself. Families are given black-and-white photographic prints and encouraged to color, mark, or embellish them as they choose. These gestures—thumbprints forming balloons, flowers outlining poetic lines in Tamil or Urdu—transform the photograph into a living, tactile conversation. The resulting images reveal not only how people wish to be seen, but how they understand themselves within broader social and emotional realities.

Exhibition runs through to February 14th, 2026

Chung 24 Gallery
698 Pennsylvania Avenue
San Francisco
CA 94114

www.chung24gallery.com

  

MATTHIAS ODIN – RUE DE PARIS

Posted on 2026-01-05

Parallax Hotel. The café on the corner, the one we always go to. Matthias walks to my left. I adjust to his pace. The shops are fogged-up cubes. Outside, it is barely ten degrees, and already too warm. He presses his hand against the glass, leans forward to look through it, and talks about what we were waiting for when we came here. He would like the exhibition title to reflect this.

Not only his work, but also the environment in which it came into being. I think he fears conditioning, that what he makes might only exist in a floating state, without roots or branches, nothing but a trunk. This is what happens when we forget the circumstances in which a work was created. I would never have been interested in art if it did not involve the artist. M. speaks of his “spiritual accomplices,” an expression I often hear him use to refer to the artists who inspire him: Joseph Cornell above all, then Curtis Cuffie and Isa Genzken, who work from what they see in the street. But also Californian assemblage artists such as Bruce Conner, and those who engage with inhabitants and with the city in its morphology, Gordon Matta-Clark or Gregor Schneider, for instance.

Opposite – Compress’ in the city, 2024

Exhibition runs through to February 27th, 2026

Galerie Peter Kilchmann
11 Rue des Arquebusiers
75003 Pari

www.peterkilchmann.com

  

MELANIE SMITH – AN AGE OF LIBERTY WHEN THE WORLD HAD BEEN POSSIBLE

Posted on 2026-01-05

An Age of Liberty When the World Had Been Possible marks two decades of collaboration with the artist and will be shown for the very first time at the gallery’s Paris location.

A multidisciplinary artist whose exhibitions consistently explore drawing, painting, performative film, and installation, Smith enjoys drawing from the vast fields of painting and art history, intertwining them with moving images. In her most recent works, the artist examines the impact of extractivism on specific ecosystems and environments in Latin America. Her research, almost anthropological in nature, leads her to observe territories under multiple threats: whether it is the disappearance of certain species or the uses and traditions that developed in their presence.

Opposite – Animation drawing for Axolotl 4, 2025

Exhibition runs through to February 27th, 2026

Galerie Peter Kilchmann
11 Rue des Arquebusiers
75003 Paris
France

www.peterkilchmann.com