EXIT X FLEET ILYA

Posted on 2020-12-11

As a visionary design brand centred around excellence in the construction of leather with the objective of establishing a label that both informed about the erotic possibilities of leather and restriction as well as bridging a high fashion aesthetic and subversive fantasy- Fleet Ilya is an EXIT favourite.
Culminating in expertly crafted, lifestyle objects, ready to wear accessories and functional restraint pieces, received to acclaim. Operating as an atelier, quality of both materials and design is intrinsic to every piece, using traditional saddle making methods while experimenting with progressive techniques.

Photography & Styling – Lo Harley

Models
Kacie at Premier Model Management
Sonny at Premier Model Management

www.fleetilya.com

  

EXIT X FLEET ILYA

Posted on 2020-12-11

Photography & Styling – Lo Harley

Models
Kacie at Premier Model Management
Sonny at Premier Model Management

www.fleetilya.com

  

LOCUSSOLUS – ZOMBIE SEX DREAM

Posted on 2020-12-07

“Zombie Sex Dream” from the forthcoming release “Exhumed” by Locussolus on DJ Harvey’s new HGS imprint, drops Halloween 2020. Directed by Sam Fox.

deejayharvey.bandcamp.com

  

KRUST – NEGATIVE RETURNS (FOUR TET REMIX)

Posted on 2020-12-07

If you’re asked to remix the first album in 14 years from an electronic music icon like Krust, you bring your A-game. Four Tet, Batu and the Crosstown Rebels boss, Damian Lazarus, did exactly that. Four Tet turned in his first ever drum & bass track, a glistening roll-out of ‘Negative Returns’. Next generation Bristol innovator Batu takes ‘Space Oddity’ to pieces and rebuilds it with liquid form and seismic weight. Damian Lazarus, best known for making and releasing house music, was once a drum & bass fanatic. He bridges the two worlds on a cosmic re-shape of ‘Keter The Heavenly’.

crosstownrebels.bandcamp.com

  

THE AVALANCHES – INTERSTELLAR LOVE

Posted on 2020-12-07

On We Will Always Love You, vaunted Australian sampledeliacs The Avalanches take the love affair between the communication scientist Ann Druyan and the astronomer Carl Sagan as their point of inspiration. From here, The Avalanches fashion an ambitious, sweeping statement record, one that sees them focusing a little more on songcraft and the human voice than they did on their previous LPs.

Much like its predecessors Since I Left You and Wildflower, We Will Always Love You locks into a shimmering groove early on and maintains the mood through to the close. We Will Always Love You doesn’t lean quite as heavily on the hip-hop-indebted plunderphonics which have characterised The Avalanches’ previous work, though it is certainly in the mix. Disco, sample-house, folk and psych-pop are all brought into the fold here, with a smattering of short interludes providing the listener with periodic palette-cleansers.

www.theavalanches.com

  

ON PHOTOGRAPHS

Posted on 2020-12-07

The exhibition takes its name from a new book by David Campany, a curator and writer based in London and New York. David Campany was an undergraduate student when he met Susan Sontag. During a friendly discussion about her groundbreaking and influential book On Photography, Campany asked about her assessment of photography without including specific photographs. “My book is more about photography as a phenomenon, social and artistic,” she replied. “Perhaps one day you will write a book titled On Photographs.” Campany has accomplished the goal Susan Sontag set out for him with On Photographs, published this fall by MIT Press.

In the spirit of the book, exploring the meaning of photography and its history by focusing on specific images, the exhibition On Photographs surveys 20 images from 18 leading 20th century photographers including Eugene Atget, Ilse Bing, Henri Cartier-Bresson, Mark Cohen, Walker Evans, Mario Giacomelli, Ralph Gibson, Bill Jacobson, György Kepes, Andre Kertesz, Helen Levitt, Man Ray, Aaron Siskind, Jerry Uelsmann, Edward Weston, Francesca Woodman, and Masao Yamamoto.

Opposite – Mark Cohen, Headless Horseman, 1968

Exhibition runs through to December 31st, 2020

Robert Klein Gallery (Online exhibition)
38 Newbury
Boston, MA 02116

www.robertkleingallery.com