RHIZOME 4/7 – WORKS ON PAPER

Posted on 2020-04-27

The fourth node of the Capitain Petzel Rhizome series centers itself around the art of drawing. The works presented here transcend the idea of the sketch or first draft, resulting in autonomous, creative articulations on paper and in many cases, occupying seminal positions in the artists’ practices. Works from Andrea Bowers, Isabella Ducrot, Stefanie Heinze, Maria Lassnig, Tobias Pils, Seth Price and Amy Sillman.

Opposite – Maria Lassnig, Der Hai in der Yps [Ybbs], 1998

Exhibition runs through to April 30th, 2020

Capitain Petzel (Online Viewing Room)
Karl-Marx-Allee 45
10178 Berlin
Germany
T + 49 30

www.capitainpetzel.de

  

ANDRA TUTTO BENE BY STEVEN CHOI

Posted on 2020-04-27

Meaning ‘Everything Will Be Ok’ in Italian, the latest edition of Little White features a happy, playful spirit with a colorful rainfall design, a star-shaped bag and blue propeller beanie. This edition stands apart from the previous ones in that it adds a painted design to the figure’s previously all-white ghost-like body.

Limited to 49pcs.

www.strangecattoys.com

  

NO MOON – SET PHASERS TO STUN

Posted on 2020-04-27

Forward thinking electro from Yorkshire via Berlin with an Adam Pits remix on the flip.

xkalay.com

  

SPACESHIP EARTH

Posted on 2020-04-27

Spaceship Earth is the true, stranger-than-fiction, adventure of eight visionaries who in 1991 spent two years quarantined inside of a self-engineered replica of Earth’s ecosystem called BIOSPHERE 2. The experiment was a worldwide phenomenon, chronicling daily existence in the face of life threatening ecological disaster and a growing criticism that it was nothing more than a cult. The bizarre story is both a cautionary tale and a hopeful lesson of how a small group of dreamers can potentially reimagine a new world.

Released May 8th, 2020, on VOD

www.spaceshipearthmovie.com

  

YOU AND ME AND EVERYONE WE KNOW

Posted on 2020-04-27

Sometimes a title is enough. I admit I came to this one unconsciously, without originally realizing it was cribbed from a 2005 movie of the same name. The movie consists of several plots that revolve around the intertwined lives of a number of characters. Once I realized my title also constituted a dose of plagiarism—or better put, an homage—I decided to keep it. We are all intertwined as never before; we are also isolated like never before. Our state of limbo is caused by a plague that, in normal times, we’d describe as resembling a bad movie.

The simple idea of being able to invoke different voices—you, me and everyone we know—serves as a pretext for this exhibition: a show that is 100% virtual and that deals with both intimacy and isolation, the current obligation to engage in social distancing, but also the acute need to nurture personal and professional ties. Putting together this show is different from organizing a normal exhibition. It requires greater faith, generosity and introspection, because it also requires one pose and answer, at least partially, a basic question: how do we invoke the possibilities of art to trigger ideas, stories, conversations, emotions, feelings and mental states amid this global pandemic to reflect on our external and internal realities?

Christian Viveros-Fauné. Brooklyn, April 9th 2020

Opposite – Señal de Abandono 39, 2019

Exhibition runs through to May 3rd, 2020

Sabrina Amrani
Madera, 23
28004 Madrid
Spain

sabrinaamrani.com

  

GARY SIMMONS – SCREAMING INTO THE ETHER

Posted on 2020-04-20

Gary Simmons’s latest work expands the artist’s decades-long examination into the propagation of racial stereotypes through American media and its devastating effects on how people of color perceive themselves and are perceived by others. The twenty new paintings on view reconsider his signature “erasure” technique and the racist cartoon characters Simmons first appropriated in his renowned chalkboard drawings from the early 1990s.
Simmons employs a rich gray palette in the backgrounds of his new canvases for the first time, recalling dusty blackboards or a flickering blackand-white film. Isolated against them are figures based on the Looney Tunes characters Bosko, his girlfriend Honey, and Bosko’s “Little Sister.” Introduced to movie theater audiences in 1930, the three characters were degrading caricatures of black Americans based heavily on minstrelsy. Rendered as ghostly fragments, the figures appear as faint specters on the canvas, just as the insidious imagery lingers in our collective imagination.

Opposite – Piano Man, 2020

Exhibition runs through to April 25th, 2020

Metro Pictures (Online Viewing Room)
519 West 24th Street
NY 10011
New York

www.metropictures.com