TRACEY BARAN – IN PROCESS

Posted on 2016-10-10

This exhibition surveys the brief life and career of a young photographer who in barely more than one decade, produced an expansive visual diary composed of both spontaneously recorded moments and posed depictions. It provides a unique opportunity to experience her evolving aesthetic through more than one hundred contact sheets, small studies in color and black and white, and large color prints.

Within a continuing tradition of autobiographical images in American photography, from the distant formality of Alfred Stieglitz to the snapshot-style confrontations of Nan Goldin, Baran’s photographs are notable for their composed insights and emotional honesty.

The critic Barry Schwabsky, upon first seeing her work almost twenty years ago, recalled her photographs as “a rare combination of empathy and frankness . . . emotionally raw and formally self-possessed. I wondered how someone so young could look at things so knowingly.” Curator Karen Irvine wrote that “like Eggleston, Baran is fluent in the expressive capacity of color photography and she often counterbalances the formal beauty of her pictures with a certain unsettling ambiguity.” Vince Aletti wrote in The New Yorker that “Baran telegraphs the fraught nuances of relationships – with her father, a female friend, or a lover who’s no more than a hand cupping her face on a couch – so efficiently that her pictures feel like epigrams, terse and telling.”

Opposite – Untitled (Double Self-Portrait), 2008

Exhibition runs through to November 12th, 2016

Leslie Tonkonow Artworks + Projects
535 West 22nd Street
New York
NY 10011

www.tonkonow.com

  

MIKE & RICH – EXPERT KNOB TWIDDLERS REISSUE

Posted on 2016-10-10

A collaboration between AFX (Richard D. James) and µ–Ziq (Mike Paradinas), Mike & Rich’s ’Expert Knob Twiddlers’ was made back in 1994. Richard edited the tracks into shape later in 1996 with his new Apple Mac computer and it was released later that year on Rephlex, the label he co-owned and which released the first two albums by µ-Ziq.

This new reissued version has been carefully cleaned up, re-edited and remastered from the original DAT tapes, put into a more fitting order and, more excitingly, seven new bonus tracks and alternative versions have also been added.

The album was recorded over a few days during the 1994 World Cup, back when Richard lived in a big shared flat in Stoke Newington. Richard had tried to collaborate with a few other likeminded artists but something clicked when Mike and Rich worked together and the sessions have a unique feel; playful and at times actually drunk. These are fun experiments in the spirit of lighthearted moog pop and ripe 70s British TV themes, standing out from the po-faced electronica of the time with a garish glee.

The record was made on what is now seen as pretty primitive gear – an Atari, Roland MKS-80, Memorymoog, Roland R8 and a handful of samples on a Casio FZ-10M – but it’s to their credit that it resonates well with the hardware workouts coming out today. There’s a broadminded but sloppy funk to the record, even whistling, singing and harpsichord in ‘Reg’ and wonky beat pile-ons in ‘Jelly Fish’. There’s latin piano and wheezy drunken techno in ‘Vodka’, or the sleepy spaced out ambience of ‘Bu Bu Bu Ba’ with its barely contained laughter which seems to reflect the absurdity.

The new versions and bonus tracks are an absolute delight and well worth the purchase – from a trancier version of ‘Vodka’ to the wonky bounce of ‘Portamento Gosh’, The 3/4 dub of ‘Waltz,’ the banging door bass of’ Brivert and Muonds’, the creepy seasick atmosphere of ‘Clissold Bathroom’ and finishing with the strangely graceful and serious ‘Organ Plodder’. A generous and welcome return to the racks.

planet.mu

  

ITAL TEK

Posted on 2016-10-10

ItalTek releases a suite of five tracks which showcase a calm, lush side to his work.

‘Beyond Sight’, one of the highlights of Hollowed, undulates and repeats, its riffs gathering gentle force as it approaches resolution. ‘Sanctum’ is dub from the catacombs; slow, dark and dusty with a sense of something ancient and foreboding. With ’Utter’ traces of light start to appear taking us away from ‘Sanctum’s’ darkness, and as small notes start to form a melody over the palpitating backdrop, the sense of intensifying excitement develops throughout the track. ‘Trace’ is parched and elegant, its notes stretching out and extending into drones over a repeating rhythm, left flickering like a mirage. The EP ends with the swelling synths of ‘Until The End Of Time’ with its slowly rising melodies, snaking out over slow bass tones, suggesting a sunrise.

planet.mu

  

CLIPPING. – SPLENDOR AND MISERY

Posted on 2016-10-10

Splendor & Misery is an Afrofuturist, dystopian concept album that follows the sole survivor of a slave uprising on an interstellar cargo ship, and the onboard computer that falls in love with him. Thinking he is alone and lost in space, the character discovers music in the ship’s shuddering hull and chirping instrument panels. William and Jonathan’s tracks draw an imaginary sonic map of the ship’s decks, hallways, and quarters, while Daveed’s lyrics ride the rhythms produced by its engines and machinery. In a reversal of H.P. Lovecraft’s concept of cosmic insignificance, the character finds relief in learning that humanity is of no consequence to the vast, uncaring universe. It turns out, pulling the rug out from under anthropocentrism is only horrifying to those who thought they were the center of everything to begin with. Ultimately, The character decides to pilot his ship into the unknown—and possibly into oblivion—instead of continuing on to worlds whose systems of governance and economy have violently oppressed him.

clipping

  

PHANTOM BOY

Posted on 2016-10-10

Leo has a secret. A mysterious illness has transformed him into a phantom boy, able to leave the confines of his body and explore the city as a ghostly apparition. While in the hospital, he befriends Alex, a New York City cop injured while attempting to capture a nefarious gangster who has taken control of the city’s power supply, throwing the metropolis into chaos. Now they must form an extraordinary duo, using Leo’s phantom powers and Alex’s detective work to foil the plot and save New York from destruction.

In theatres October 21st, 2016

www.phantomboyfilm.com

  

I, DANIEL BLAKE

Posted on 2016-10-10

The new film by British filmmaker Ken Loach, I Daniel Blake won the Palme d’Or at the 2016 Cannes Film Festival.

Daniel Blake (59) has worked as a joiner most of his life in Newcastle. Now, for the first time ever, he needs help from the State. He crosses paths with single mother Katie and her two young children, Daisy and Dylan. Katie’s only chance to escape a one-roomed homeless hostel in London has been to accept a flat in a city she doesn’t know, some 300 miles away.

Daniel and Katie find themselves in no-man’s land, caught on the barbed wire of welfare bureaucracy as played out against the rhetoric of ‘striver and skiver’ in modern-day Britain.

In theatres October 21st, 2016

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