Four waves of increasingly deadly attacks have left most of Earth decimated. Against a backdrop of fear and distrust, Cassie is on the run, desperately trying to save her younger brother. As she prepares for the inevitable and lethal 5th wave, Cassie teams up with a young man who may become her final hope – if she can only trust him.
In theatres January 22nd, 2016
TweetJason Kelly (Zac Efron) is one week away from marrying his boss’s uber-controlling daughter, putting him on the fast track for a partnership at the law firm. However, when the straight-laced Jason is tricked into driving his foul-mouthed grandfather, Dick (Robert De Niro), to Daytona for spring break, his pending nuptials are suddenly in jeopardy. Between riotous frat parties, bar fights, and an epic night of karaoke, Dick is on a quest to live his life to the fullest and bring Jason along for the ride. Ultimately, on the wildest journey of their lives, “dirty” Grandpa and his uptight grandson discover they can learn from one another and form the bond they never had.
In theatres January 22nd, 2015
TweetWith a keen eye for the quirkiness of the urban environment, Newman conveys both pathos and humor in his compositions. He chooses his subjects deliberately, shooting sequences of related events, locations, movements, or objects. Focusing on both the sameness of theme and the subtle difference in each frame, his still work inspires narrative and communicates with an illusion of movement.
Among the subject matter on view are denizens of the winter boardwalk in Brooklyn, men lying on park benches in summer, relentless ocean waves, mannequin heads in Chicago storefronts, and men in suits spot lit with sun shadows. In addition to his street work, Newman worked for major magazines including Life and Newsweek. The exhibition includes a dizzying overhead shot of the New York Stock Exchange, made for a spread about Wall Street in Esquire magazine in 1957.
Opposite – Floor of New York Stock Exchange, 1957
Exhibition runs through till January 30th, 2016
Howard Greenberg Gallery
The Fuller Building
41 East 57 Street
Suite 1406
New York
NY
10022
Photography has been used to capture performances since its invention – from the stars of the Victorian stage to the art happenings of the 1960s, and today’s trend for selfies.
With over 50 seminal photographers on display, the exhibition explores the relationship between photography and performance, engaging with serious, provocative and sensational topics, as well as humour, improvisation and irony. It shows how photographs have captured performances by important artists including Yves Klein and Yayoi Kusama, and ground-breaking collaborations between photographers, performers and dancers. It looks at how artists including Francesca Woodman, Erwin Wurm and others have used photography as a stage on which to perform, and how figures from Cindy Sherman and Hannah Wilke to Marcel Duchamp and Samuel Fosso have used photography to explore identity.
From marketing and self-promotion, to the investigation of gender and identity, to experiments with the self-portrait, Performing for the Camera brings together over 500 images shown in series, including vintage prints, large scale works, marketing posters and artists working with Instagram. It is a wide-ranging exploration of how performance artists use photography and how photography is in itself a performance.
Opposite – Masahisa Fukase, Bukubuku (bubbling) 1991
Exhibition runs from February 18th to June 12th, 2016
Tate Modern
Bankside
London
SE1 9TG
“FloriDada,” tells a brightly colored love story between two morphing bodies. (it comes with an epilepsy warning!) It’s produced and directed by sometime Adult Swim directors PFFR
TweetCombining everyday objects easily found in the Chinatown/ Lower East Side neighborhood where he lived at the time, we find teapots, rubber balls, canes, and newspapers (a witty reference to cubist collage.) Berman’s theatrical use of lighting, black velvet and ordinary out-of context elements present a mysterious theatrical place. The richness and precision of these illogical spaces is enhanced by the increasingly rare silver print medium.
Between 1985 and 1995 Julie Saul Gallery (previously Lieberman & Saul Gallery) mounted five shows of Berman’s distinctive, studio based, large format studies. Saul first saw Berman’s Still Life with Necker Cube in the early 1980s at the Museum of Modern Art. When Lieberman & Saul was formed in 1984, Berman was one of the first artists to be represented by the newly formed partnership. We are excited to present Berman’s work to a new audience and generation.
Opposite – Measuring Cup, 1979
Exhibition runs through till February 20th, 2016
Julie Saul Gallery
535 West 22nd Street
New York
NY
10011
