JESSICA EATON – WILD PERMUTATIONS
2015-02-23In 2010, Eaton began photographing grayscale cubes, blocks, and pyramids through red, green, and blue lens filters—primaries on the additive color wheel. Using motion and multiple exposures, she generates layered and blurred chromatic effects, “mixing” colors directly onto the film. In some cases, a single negative will be the product of over 100 exposures. At first glance, Eaton’s works can easily be misread as digital manipulations; however, on close viewing, the surface textures, edges, and shadows suggest they are depictions of real objects. These photographs appear to defy the logic of time and space—even as they are produced by the “rational” mechanics of the camera.
Most recently, Eaton has begun a series of floral studies using black-and-white separation negatives along with ultra violet and infrared filters, transcending the limits of visible light to imagine alternative spectra. In these works, multiple negatives are combined in the color carbon process, an early printing technique valued for its brilliant tones and grainless detail. Calling up diverse references, from still life vanitas to hard-edge abstraction, color theory diagrams, and optical illusions, Eaton’s work deeply engages with vision on physiological, technological, and philosophical terms.
Opposite – 108_06, 2010
Exhibition runs through to May 24th, 2015
MOCA
11400 Euclid Avenue
Cleveland
OH 44106