TREVOR PAGLEN
2013-02-04Commissioned by Creative Time, Paglen worked with scientists at the Massachusetts Institute of Technology to produce a disc micro-etched with 100 photographs, designed to last in space for billions of years. The project culminated in November of 2012 when the disc was attached to a communications satellite and launched from Kazakhstan into Earth’s orbit.The exhibition includes a selection of key images from The Last Pictures.
Among the large color prints and black-and-white diptychs is Angelus Novus (2012), a photograph of the backside of Paul Klee’s 1920 painting of the same name. Once owned by Walter Benjamin, the painting is an important reference in the philosopher’s last work “Theses on the Philosophy of History” (1940). In the essay Benjamin argues for a circular conception of history, one recognizing that despite the notion of progress, societies produce and reproduce similar economic, humanitarian, and political crises. For Benjamin, the “angel of history” faces the past and is propelled backwards into the future by the ongoing explosions of the present. By presenting the back of the painting, Paglen asks his audience to look back at the ongoing crisis of the present.
Additionally, there is a grid of 182 images collected for the project but ultimately excluded and a video of the satellite in orbit. Also exhibited are photographs, “skyscapes,” of nearly undetectable surveillance drones in a seemingly empty field, a massive National Security Agency data center under construction in suburban Utah, and secret satellites in the night’s sky. Paglen’s images are both documents of clandestine military operations and a contribution to the history of photographic abstraction, following in the tradition of Alfred Stieglitz’s landmark “Equivalents” series of imposing clouds in an inordinately black sky.
Opposite – EchoStar XVI launch in Baikonur, Kazakhstan, November 21st 2012
Exhibition runs through till March 9th, 2013
Metro Pictures
519 West 24th Street
New York
NY
10011
