DEBORAH ROBERTS – UNINTERRUPTED

Posted on 2018-02-12

Deborah Roberts states, “Having one’s identity dismantled, marginalized and regulated to non-human status demands action. This led me to critically engage image-making in art history and pop-culture, and ultimately grapple with whatever power and authority these images have over the female figure.” By combining found and manipulated photographs with paintings and drawings, Roberts creates female portraits that challenge myths and stereotypes attached to young black girls. The multi-layered faces of Roberts’ figures exemplify the multiplicity and complexities of black identity, while subverting social ideas that seek to homogenize the black female body. Although they are constructed by photographs of famous individuals, such as Michelle Obama, Willow Smith, and Gloria Steinem, the images are cut and altered beyond recognition to create a portrait that adheres to a more universal beauty standard—one inclusive of women of color.

The subjects of Roberts’ collages are located in the space where social expectations and stereotypes encroach upon the naiveté and innocence of childhood.

With an eight to ten-year-old young black girl as the protagonist of her work, Roberts confronts the ubiquitous influences of popular culture and visual culture on the minds and bodies of young black girls. By reassembling and altering found photographs, Roberts reclaims power over the images that have impacted black women’s self-image since adolescence.

Opposite – Unbothered, 2017

Exhibition runs through to March 17th, 2018

Jenkins Johnson Gallery
464 Sutter Street
San Francisco
94108 CA

www.jenkinsjohnsongallery.com

  

ERIK MADIGAN HECK

Posted on 2018-02-05

Approaching photography with the same eye as high art, Erik Madigan Heck’s works capture the essence of painting through the lens of his camera. His work is elegant and unashamedly beautiful, exploring the intersections of fashion, painting, and classical portraiture. Working with natural light and combining in-camera effects with digital postproduction, he produces evocative and seductive images that are simultaneously timeless and futuristic. Within this exhibition is a curated edit of photographs by Heck presented in a flowing, chromatic sequence that takes the use of light and colour to unprecedented heights. From the vibrant blues featured in “The Blue Hat” to the saturated colours of “The Absorbed Tradition,” these images are positioned to become classics of the future.

Opposite – Muse, Old Future, 2013

Exhibition runs through to March 17th, 2018

Jackson Fine Art
3115 East Shadowlawn Avenue
Atlanta
30305 GA

www.jacksonfineart.com

  

MEMORY

Posted on 2018-02-05

Our current state of awareness is deeply influenced by our experiences, interpretations and memories of the past. These memories shape our stories, our personal histories and identities. Photography is intrinsically a long-standing tool for capturing moments, and the medium has the uncanny ability to recall times that possibly otherwise would have been forgotten. The act of observation and using the camera as a keepsake box to preserve our histories is a unique characteristic of the medium. The photographic works which encompass this exhibition explore the notion of memory through intimate expressions of personal histories, courageously expressed recollections, and a range of experiences.

Opposite – Ellie Cooper

Exhibition runs through to March 16th, 2018

Midwest Center for Photography
1215 Franklin
Wichita
67203 KS

www.mwcponline.com

  

JEAN PAGLIUSO – POULTRY, RAPTORS, PLACES OF RITUAL

Posted on 2018-02-05

Following a 30-year career as a portrait photographer working for such publications as Vogue, Times, Newsweek, Time and Rolling Stone, Pagliuso decided to turn her lens on a less traditional subject: chickens.

What began as a way to honor her father’s love of breeding show chickens has since become an extensive collection of poultry portraits. Pagliuso has taken close-up shots of over 20 different chicken breeds, posing them and focusing on the unique plumage and expressions of each.

“I don’t see it as any different at all from photographing people. It’s exactly the same to me. I look for the same things. I look for form and the way the frame is filled,” Pagliuso said in a 2015 interview with Slate Magazine.

The black and white images are hand printed on nearly transparent paper. Pagliuso’s treatment of the birds, combined with the delicacy of the printing materials, create a dignified and surprisingly moving series of portraits.

FMoPA Executive Director Zora Carrier, Ph.D. believes Pagliuso’s chickens resonatebecause she photographs them the same way she photographs fashion models and celebrities.

“In the literary arts, animals are often used as a metaphor for human behavior. I think part of the reason these photographs are so successful at capturing our attention isbecause they bring that same metaphorical quality to the visual arts,” said Carrier.

Opposite – Poultry Suite: Variegated #31, 2010

Exhibition runs through to March 16th, 2018

Florida Museum of Photographic Arts
400 N. Ashley Drive
Tampa
FL 33602

fmopa.org

  

STEVEN BOLLMAN – ALMOST TRUE

Posted on 2018-01-29

Almost True comprises over thirty years of work from around the world and will be released as a hardcover book at the time of the exhibition.

Bollman’s photographs enable us to glimpse mysterious depths below the surface details of everyday life. What might seem whimsical upon first glance gives way upon steady reflection to profound beauty and suffering. There is a melancholy to Bollman’s black and white images, a bittersweetness leavened by their uncanny knack for capturing everyday street life.

The images within the series echo one another in composition and are tightly sequenced between the subjects and their gestures among many other elements within each frame.

Exhibition runs through to February 10th, 2018

Leica Gallery San Francisco
463 Bush Street
San Francisco
94108 CA

gallery.leicastoresf.com

  

GORDON PARKS – I AM YOU | PART 1

Posted on 2018-01-29

As a photographer, film director, composer, and writer, Gordon Parks (1912-2006) was a visionary artist whose work continues to influence American culture to this day. In collaboration with the Gordon Parks Foundation, this first half of a two-part exhibition will focus on Parks’ lesser-known bodies of work, such as his elegant compositions of artists in their studios, as well as his timeless fashion photography.

Though Parks is best known for his photographs documenting much of the civil rights era, he spent many years as a freelance photographer for a variety of publications, working across many subjects. Among his lesser-known works featured in the exhibition are a series of portraits of artists in their studios, including Helen Frankenthaler, Alexander Calder and Alberto Giacometti. A 1951 group of images taken in Giacometti’s studio transforms the artist into one of his creations – skeletal and draped in shadow, yet still dominating the composition, even from the background.

Exhibition runs through to February 10th, 2018

Jack Shainman Gallery
524 West 24th Street
New York
10011 NY

www.jackshainman.com