MAX SNOW – 100 HEADLESS WOMEN
2012-02-27The walls are covered in rows of nude female torsos with obscured faces: a salon of ghostly mug shots. Church statues of saints have been soaked in diluted muriatic acid to dissolve their features. Snow has then carved and chipped away at them to achieve a more featureless, ghostlike form. In this context the faceless portraits almost become a shrine to the unknown masses of a civilization lost or a fable that was never told.
“When you look at a portrait you look at the eyes and the face,” says Snow. “Everyone says that the face and the eyes tell the story and that grief scars your eyes. So I like in this series to rob the viewer of that intimacy and to make it more mysterious and surreal.”
The faces without eyes, in their multitude, become even more haunting. One also recalls the fact that the blind are more advanced in their other senses and that, when blindfolded, one is more sensitive to touch. This idea folds in seamlessly with Max Snow’s body of work which itself exudes an innate sensuality, a dark eroticism and animal instinct in defiance of rational intellect. Snow’s photograph of himself embracing a statue comes to mind. Snow says of this portrait, “it’s strange because it looks more like I’m clinging to it and I’m not sure if it’s embracing me back.” Sometimes we need to dive into fantasy or the corporeal realm to escape the pain of the emotional or the dullness of the mundane. But as Snow points out, even these realms do not always offer us comfort.
Exhibition runs from March 2nd to April 7th, 2012
Kathleen Cullen Fine Arts
526 W. 26th Street
605
New York
NY
10001
