PIXY LIAO – RELATIONSHIP MATERIAL

Posted on 2025-10-06

Pixy (born 1979 in Shanghai, China), an artist working in photography, installation, and performance, met Japanese-born artist and musician Moro in 2006 when both were international students in Memphis, Tennessee. Their creative partnership has grown and evolved over the years to include many projects including their music group, PIMO, which has released six albums to date.

Pixy began the photographic series, known as Experimental Relationship, shortly after she and Moro met, with many of the works playfully referencing art history, film, music, and other artifacts of popular culture. She plans to continue it so long as they remain together.

Opposite – Carry the Weight of You, 2017

Exhibition runs through to December 8th, 2025

Art Institute of Chicago
111 South Michigan Avenue
Chicago
IL 60603

www.artic.edu

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DAVID MICHAEL KENNEDY – NEBRASKA ALBUM COVER PHOTOGRAPHS

Posted on 2025-10-06

David’s photograph for Springsteen’s Nebraska album cover is among the most recognizable images in rock history. The image was originally captured in winter 1975, depicting a desolate road seen through a car windshield during a snowstorm.
“The cover shot was taken from the window of an old pickup truck in the dead of winter,” Kennedy recalls. The photo encapsulates the stark, reflective mood of Springsteen’s acoustic album, becoming a lasting symbol of American loneliness and resilience.
The exhibition will feature prints from Kennedy’s photoshoot with Springsteen, which also appear on the album covers in the box set. Visitors will have a rare chance to see and acquire the images that define the visual identity of one of America’s most influential albums.

Opposite – Bruce in Field, 1982

Exhibition runs through to November 17th, 2025

Edition One Gallery
729 Canyon Road
Santa Fe
NM 87501

www.editiononegallery.com

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GORDON PARKS – HERKLAS BROWN AND MAINE, 1944

Posted on 2025-10-06

In January 1944, at the height of World War II, Gordon Parks photographed Herklas Brown, owner of the general store and Esso gas station in Somerville, Maine. Parks traveled to the state under the auspices of the Standard Oil Company (New Jersey) to record its contributions to the war effort and to document the home front. His photographs chronicled oil and gas facilities and those who operated them, Esso gas station owners in small towns, and people whose work depended on fuel and other Standard Oil products. Consistent with his work before and after, Parks made it his mission to get to know his subjects and show their humanity. He photographed Brown at his Esso station, in his store, and with his family at the dinner table. Parks spent a month in Maine that winter and then returned in August to resume his work in the state. At a time when transportation, food, and lodging were a challenge, and notably as a Black man traveling alone, Parks nonetheless created a compelling documentary record of rural America that offers insight into this historic moment.

Opposite – The Browns at Home, Somerville, Maine, 1944

Exhibition runs through to November 9th, 2025

Bowdoin College Museum of Art
9400 College Station
Brunswick
ME 04011

www.bowdoin.edu

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