With its new square shape and sliding leather chain strap for cross body or shoulder wear, Vicky makes a bold statement with a geometric silhouette and luxe material for the woman who has an affinity for the 80s
The Vicky also comes in supple lambskin in a smaller, medium size and a palette of black, hunter green and burgundy
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Paweł Pawlikowski follows his Oscar-winning Ida with the stunning Cold War, an epic romance set against the backdrop of Europe after World War II. Sumptuously shot in luminous black and white, it spans decades and nations to tell a love story that is as tragic as it is moving, and as transportive as it is honest. In the ruins of post-war Poland, Wiktor (Tomasz Kot) and Zula (Joanna Kulig) fall deeply, obsessively and destructively in love. As performing musicians forced to play into the Soviet propaganda machine, they dream of escaping to the creative freedom of the West. But one day, as they spot their chance to make a break for Paris, both make a split decision that will mark their lives forever. As the years march on in the wake of that moment, Wiktor and Zula watch the world changing around them, always struggling to find their moment in time.
In theatres August 31st, 2018
www.curzonartificialeye.com/cold-war
TweetDenzel Washington returns to one of his signature roles in the first sequel of his career. Robert McCall serves an unflinching justice for the exploited and oppressed – but how far will he go when that is someone he loves?
In theatres August 17th, 2018
www.facebook.com/TheEqualizerMovie
TweetChance and repetition are consistent themes informing Metz’s various bodies of work and qualities that connect the five distinct groups of paintings in this exhibition. Rendered in four unique colors, two of which are new to the artist and will debut in this exhibition, Metz’s paintings are displayed in an atypical manner, in this instance progressing through the gallery in a serial fashion, moving both horizontally and vertically across the space. Displayed as diptychs and triptychs, alone and in larger groups, the canvases echo specific measurements taken from the architecture of the gallery. The works proceed throughout the gallery and onto the ceiling, encouraging the viewer to experience the exhibition in different ways.
Just as Metz’s approach to presentation departs from the traditional, his method of composition is uniquely distinctive. Rather than paint in the typical manner, Metz uses a specially devised pigment dye, which he pours onto unprimed canvas, coaxing the liquid into vaguely biomorphic shapes. This labor-intensive process is lengthy as the dyes take many hours to evaporate and dry. The elements of time and action that infuse the making of his paintings distinguish Metz’s practice as both meditative and performative.
Opposite – Untitled, 2017
Exhibition runs from September 7th – October 20th, 2018
Sean Kelly
475 Tenth Avenue
NY 10018 New York
USA
