Posted on
2018-01-15
Since the late 1960’s, Betty Tompkins has been painting her Fuck, Cunt or Kiss Paintings, studying different mediums going from airbrush to stamps, graphite powder or fingerprints.
Beside the feminist content of her work, her intention from the start was to have two distinct elements which would allow the abstract and the sexual content to coexists equally in the work. She imposes a distance with her explicit subjects, or as she says : « I see something intimate made monumental – we see a visual we don’t usually see in a medium we don’t expect. »
After some group shows in the early 1970’s, and a few episodes of censorship, her work remained widely overlooked by the critics and art market due to its subject matter, until in 2003, she was invited to participate in the 7th Biennale de Lyon. This brought extraordinary attention to her work, and the Centre Georges Pompidou acquired Fuck Painting #1 for its permanent collection the same year.
Opposite – Cunt grid #24 (2017)
Exhibition runs through to March 17th, 2018
Rodolphe Janssen
rue de Livourne
32 Livornostraat
1050 Brussels
www.rodolphejanssen.com