WORKDUB – WORKDUB EP
2016-04-11Music From Memory reissues four tracks from St. Louis outfit Workdub originally released through two elusive, privately released albums from 1989 and 1992.
TweetMusic From Memory reissues four tracks from St. Louis outfit Workdub originally released through two elusive, privately released albums from 1989 and 1992.
TweetUsing two retrospectives at LA’s Getty and LACMA museums as a backdrop, this definitive portrait profiles the controversial artist from early childhood, to his beginnings in NYC and his meteoric rise in the art world, to his untimely death in 1989.
In theatres April 22nd, 2016
TweetMowgli (Neel Sethi) is a human boy raised by the Indian wolves Raksha (Lupita Nyong’o) and Akela (Giancarlo Esposito) ever since he was brought to them as a baby by Bagheera the black panther (Ben Kingsley). When the fearsome scarred Bengal tiger Shere Khan (Idris Elba) threatens his life since man isn’t allowed in the jungle, Mowgli leaves his jungle home. Guided by Bagheera and Baloo the bear (Bill Murray), he sets out on a journey of self-discovery while evading the man-hunting Shere Khan. Along the way, Mowgli encounters jungle creatures who do not exactly have his best interests at heart, including Kaa (Scarlett Johansson), the sly and hypnotic Indian python, and the smooth-talking Bornean orangutan-resembling Gigantopithecus,[5] King Louie (Christopher Walken), who tries to coerce Mowgli into giving up the secret to the elusive and deadly “red flower”.
In theatres April 15th, 2016
TweetLondon-based military intelligence officer Colonel Katherine Powell (Helen Mirren) is remotely commanding a top secret drone operation to capture a group of dangerous terrorists from their safe-house in Nairobi, Kenya. The mission suddenly escalates from a “capture” to a “kill” operation as Powell realizes that the terrorists are about to embark on a deadly suicide mission. From his base in Nevada, American drone pilot Steve Watts (Aaron Paul) is poised to destroy the safe-house when a nine year old girl enters the kill zone just outside the walls of the house. With unforeseen collateral damage now entering the equation, the impossible decision of when to strike gets passed up the “kill chain” of politicians and lawyers as the seconds tick down.
In theatres April 15th, 2016
TweetLars Elling’s work features a rich spectrum of narratives broken up into different sequences and which, together, form a transitory pictorial universe. The literary content in his work is articulated through filmic and photographic references that are played out against the non-figurative grammar of the paintings. Thus, a subtle play arises between figurative and abstract elements, an alternation between clearly rendered and more blurred, indistinct areas of the painting. The many lines into the literary landscape are woven together with auto-biographical material, with the nostalgic retrospective glance accentuated in the referencing of the artist’s own family photo album, forming an enigmatic, mysterious passage into a dream -like reservoir of memories. The impulsive acts played out in the paintings suggest a desire that has broken free from the control mechanisms of rationality, with the human figures moving instinctively from an existence ruled by convention and into a purposeless fulfilment of self.
His layers of imagery evoke memories of childhood, with the possible disturbance and trauma written between the lines. Family is the repetitive theme in Elling’s works; familiar moments infiltrated by surprising or unpleasant elements. The formalistic aspect of Lars Elling’s paintings is characterized by the erased and the broken. The pure visual expression has a meaningful function, where story and poetry are strong fundamentals. The paintings can be seen as a burst of memory, a description of a moment, where the almost experienced or almost seen is presented in a dream like and poetic expression, which can be compared to the poetic expressions in the works of Francis Bacon. Like Bacon, Elling also portrays a description of the logic of feelings, and illustrates a beginning, a middle section and an end, not necessarily in that order.
Opposite – “Initiation”, 2015
Exhibition runs through till April 23rd, 2016
Michael Janssen Berlin
Potsdamer Str. 63
D-10785 Berlin
Germany
When a college student unfriends a mysterious girl on-line, she finds herself fighting a demonic presence that wants to make her lonely by killing her closest friends.
In theatres April 22nd, 2016
www.facebook.com/UnfriendDerFilm
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