RAYMOND PETTIBON FOR SUPREME

Posted on 2014-09-15

Raymond Pettibon is an American artist born in Tucson, Arizona in 1957. He currently lives and works in New York City.

Pettibon grew up in Hermosa Beach, California and began his career as a musician and designer. Pettibon’s subject matter is sometimes violent and anti-authoritarian. From the late 1970s through the mid-1980s, he was closely associated with the punk rock band Black Flag for whom he designed the iconic “four bars” logo, and several album covers. In addition, Pettibon designed the cover of the 1991 Sonic Youth album, “Goo”; Beginning in the 1990s, he became a well-known figure in his own right in the contemporary art scene.

Pettibon’s work encompasses the spectrum of American culture from the deviances of marginal youth-culture to art, literature, sports, religion, politics, and sexuality. Motives include Charles Manson, surfers, baseball players, vixens, homicidal teenage punks, and the cartoon figure Gumby. Pettibon’s works on paper combine the drawn image and text, both borrowed passages from literature and text written by Pettibon himself.

Pettibon has exhibited widely throughout the US and around the world, and his work is part of the permanent collections of The Museum of Modern Art, New York, The Tate Gallery in London, and the San Francisco Museum of Modern Art among others.

Supreme will be releasing a small collection of items including two Skateboard decks, a Hooded Work Jacket, a Pullover Sweatshirt, and two T-Shirts featuring the artwork of Raymond Pettibon.

Proceeds from the sales of these items will be given to the Silverlake Conservatory of Music in Los Angeles.

Available in-store in New York, Los Angeles, London and on-line September 18th.

Available in Japan September 20th.

www.supremenewyork.com

  

LARRY CLARK – KIDS & WASSUP ROCKERS

Posted on 2014-09-15

The exhibition presents 20 pieces of unique original photographs from two of Clark’s most groundbreaking films Kids and Wassup Rockers. The main theme of Larry Clark’s work has always been honesty. Clark’s unapologetic, unconventional and unedited depiction of youth culture, sex, drugs and other vices has earned him much acclaim from critics. His photographs are represented in major museum collections, including the Metropolitan Museum of Art NYC, Museum of Modern Art NYC and Moderna Museet Stockholm. In 1995 Clark released his first feature film Kids, which was hailed as “an instant classic”. Other film projects include Wassup Rockers (2005) which continues the artist’s lifelong interest in the subject of today’s urban youth subcultures.

Larry Clark has served as a saint of provocation, and his documentary aesthetics have inspired generations of artists and filmmakers. Without Larry Clark there would be no Nan Goldin, Ryan McGinley, Terry Richardson, Wolfgang Tillmans, Juergen Teller, Spike Jonze, Martin Scorsese, or Gus Van Sant.

Exhibition runs through to October 26th, 2014

Dusty Deco
Hornstulls Strand 7
Stockholm 11739
Sweden

dustydeco.com

  

20,000 DAYS ON EARTH

Posted on 2014-09-08

Drama and reality combine in a fictitious 24 hours in the life of musician and international cultural icon, Nick Cave. With startlingly frank insights and an intimate portrayal of the artistic process, the film examines what makes us who we are, and celebrates the transformative power of the creative spirit.

In theatres September 19th, 2014

www.20000daysonearth.com

  

PRIDE

Posted on 2014-09-08

Set in the summer of 1984 – Margaret Thatcher is in power and the National Union of Mineworkers (NUM) is on strike. At the Gay Pride March in London, a group of gay and lesbian activists decides to raise money to support the families of the striking miners. But there is a problem. The Union seems embarrassed to receive their support.

But the activists are not deterred. They decide to ignore the Union and go direct to the miners. They identify a mining village in deepest Wales and set off in a mini bus to make their donation in person. And so begins the extraordinary story of two seemingly alien communities who form a surprising and ultimately triumphant partnership.

In theatres September 12th, 2014

www.pridemovie.co.uk

  

A MOST WANTED MAN

Posted on 2014-09-08

When a half-Chechen, half-Russian, brutally tortured immigrant turns up in Hamburg’s Islamic community, laying claim to his father’s ill-gotten fortune, both German and US security agencies take a close interest: as the clock ticks down and the stakes rise, the race is on to establish this most wanted man’s true identity – oppressed victim or destruction-bent extremist?

Based on John le Carré’s novel, A MOST WANTED MAN is a contemporary, cerebral tale of intrigue, love, rivalry, and politics that prickles with tension right through to its last heart-stopping scene.

In theatres September 12th, 2014

amostwantedmanmovie.com

  

CLAIRE KERR

Posted on 2014-09-08

The style Kerr has chosen as her vehicle of expression might easily place her in classical and traditional light, comparing her all the way back to French and English landscape artists and further to the Dutch masters. And although she does allude to the great history of art before her, the perspective she takes is based on current interests and questions, and on how technology and quotidian life affects the way we consume these histories, how they inform our visual experiences. The subject matter of her paintings may be still-lifes or landscapes, and even portraits, but at the same time they are not, for instead they are commentaries on how we perceive these traditions in today’s environment. This places Claire Kerr’s work firmly within context of contemporary art and its conceptual concerns.

The body of work Kerr has created for this show manifests what she had been thinking about while working on them; “the strange, ambiguous borderlands between a conceptual, imagined object and its materialization”, and the title she has chosen for the exhibition reflects this very mind-set as well.

“Molecule (limonene)” is a painting of a chemical compound model, a scientific object created to visualize something we recognize more easily as a familiar odor present in many cleaning products and air fresheners. And “Falling Man (after Hubert Robert)” might be a direct copy of a 18th century painting were it not for the precise recreation of the craquelure that age has left on its surface, and thus placing focus on “time” and its effects. As with these works, it is in the subtle details that the conceptual depth shines through in all of Kerr’s paintings.

Opposite – Eclipse, 2014

Exhibition runs through to October 11th, 2014

Galerie Stefan Röpke
St. Apern-Straße 17-21
50667 Cologne
Germany

www.galerie-roepke.de