BELLE

Posted on 2014-06-02

Belle is inspired by the true story of Dido Elizebeth Belle (Gugu Mbatha-Raw), the illegitimate mixed race daughter of a Royal Navy Admiral. Raised by her aristocratic great-uncle Lord Mansfield (Tom Wilkinson) and his wife (Emily Watson), Belle’s lineage affords her certain privileges, yet the color of her skin prevents her from fully participating in the traditions of her social standing. Left to wonder if she will ever find love, Belle falls for an idealistic young vicar’s son bent on change who, with her help, shapes Lord Mansfield’s role as Lord Chief Justice to end slavery in England.

In theatres June 13th, 2014

www.belle-themovie.com

  

E-VAPOR-8 – CURATED BY FRANCESCA GAVIN

Posted on 2014-06-02

E-Vapor-8 is a group exhibition, curated by writer, editor and curator Francesca Gavin, looking at the influence and relationship between contemporary art and rave music from the early 1990s. It traces a fascination with rave culture and happy hardcore by young British and American artists, many of whom are absorbing and re-appropriating a cultural moment they were too young to participate in.

The exhibition, named after a 1992 single by the band Altern 8, touches on how the hedonism and cultural upheaval of rave has passed. Ideas around intellectual and physical freedom, rebellion and myth-making are all at play.

Participating artists are: Fatima Al Qadiri and Sophia Al-Maria, Harry Burden, Rhys Coren, Petra Cortright, Jeremy Deller, Adham Faramawy, Alexandra Gorczynski, Marisa Olson, Hannah Perry, Christian J. Petersen, Travess Smalley, Lucy Stokton, and Daniel Swan.

Exhibition runs from June 7th to August 16th, 2014

Site Gallery
1 Brown Street
Sheffield
S1 2BS

www.sitegallery.org

  

RUI MOREIRA – LA NUIT

Posted on 2014-06-02

Rui Moreira’s work takes its roots in his travels and he chooses his destinations with great care. From India to the South Moroccan desert, and through different regions of his native country Portugal, he carries out an intense work of observation and investigation. The artist tries to feel the physical and psychological changes inherent to the territories he visits. This intense feeling of time is at the heart of the structure of Rui Moreira’s drawings. Thus, they truly become inner landscapes, captured states of mind. Back in his studio, Rui Moreira tries to recreate always renewed propitious conditions to artistic creation, like what he has been living during his travels. Indeed, his works result from repeating a simple action: the artist patiently, lengthily, tirelessly fills each contours until his body is exhausted. The aim is to loose every point of reference until creating a more deep visual experience.

Exhibition runs through to July 18th, 2014

Galerie Jaeger Bucher
5 & 7 rue de Saintonge
75003 Paris
France

www.galeriejaegerbucher.com

  

CHARLIE BILLINGHAM – TENDER 2 THE SUNSHINE ROOM

Posted on 2014-06-02

This exhibition realizes an expanded presentation of his recent series of small-scale paintings and sculptural pieces, both inspired by silhouettes of boats, as well as several new, large canvases, which depict glass houses. The boat paintings hang on top of grid-patterned backdrops, which Billingham executes directly onto the gallery’s walls. These wall paintings create a visual network that serves to arrange his intimate pieces within a greater context – a relative place for them to exist.

Technically, as a painter, Billingham’s practice focuses on pigment, texture, and surface; he uses acrylic, oil, or both, applying the paint to polyester, linen, tapestry, canvas, or wood panel, depending on his desired outcome. Beyond his broad understanding of the medium, his gestures and compositions demonstrate how painting possesses the ability to be completely subjective. Accordingly, Billingham looks to personal and shared experiences as a source for his topics and imagery. His series of approximately 30 small-scale paintings are abstracted seascapes, depicting two boats floating at sea, inspired by summer holidays by the ocean. The boats’ proximity to each other, as well as the negative space surrounding them, opens a psychological dialogue – symmetry can read as balance, but it can also create tension.

Exhibition runs through to June 28th, 2014

OHWOW
937 N. La Cienega Boulevard
Los Angeles
CA 90069

oh-wow.com

  

LIDIA BENAVIDES – CLEAR LIGHT OF EMPTINESS

Posted on 2014-06-02

Lidia Benavides (b. Madrid, 1971), artist who focuses her investigation into light as an autonomous visual language, holds a doctorate in Fine Arts from the Complutense University of Madrid, with a thesis titled “Light as visual language and its significance: space, movement and perception”. Since 1998 she has been working on this complex and attractive theme by means of a series of photographs, light-boxes, videos and installations, always working on series such as natural light/artificial light in which she modelled light-beams, reflections and refractions in shots using daylight and sources of electric light; in infrared/ultraviolet exhibited in Photoespaña 00 the artist inquired into wavelengths invisible to the human eye. In 2002 she held her first exhibition in the gallery, then known as Galer´a Estiarte, with the series Filters, Antidotes and Heavenly Juice, photographs in which she shows the subtlety, the veilings, the purity of an abstract language, in which light is the basis of her creation.

In 2004 she exhibited for a second time in Estiarte with a series titled Cosmorama, signifying the optical device used to increase the size of objects by means of a camera obscura. The series consisted of two series of photographs, a photo-installation of 22 photographs and a video. In the prologue to the catalogue, Oscar Alonso Molina wrote: “These bodiless sparkles, phantasmagorical auras and fumaroles resound in the bottom of each one like echoes of the same resonance box: the exacerbated sensitivity to light and the colour of Lidia Benavides”.

Exhibition runs through to July 12th, 2014

Galería Pilar Serra
C/ Santa Engracia, 6 Bajo Centro
28010 Madrid
Spain

www.estiarte.com

  

KATE BONNER – POSSIBLE EVENT

Posted on 2014-06-02

Through a process of reduction and transformation, Kate Bonner’s work withholds explanation and proposes simple fictions. Using digital brushes, power tools, and a language of fragmentation, she seeks to expand space, to break through the surface of the image. Her work is an attempt to see in, around and under images. It questions limits and points of entry.

Kate Bonner began this process of questioning with progress shots and reference photos of drawings and paintings. In these off-frame photos, and later scans and photocopies, she sought out objects that could operate as mere objects rather than symbols. She began cutting apart photographs, folding them, rolling them, and flipping them around in an attempt to use representational imagery for formal, abstract purposes; to deny a story.

In Possible Event, multiple images are located in one frame. The images are points in time, spliced into a location. As moments, the images compete with each other, and submit to each other inside the confines of a flattened plane. Each piece has a front and a back; mounted rather than framed, they operate like snapshots – folding, bending, leaning. There are borders and frames inside the image (both around the rims of the photographs, and around the edge of the digital print), while cuts and folds in the work turn the room into an even larger frame. Discarding any distinction between sculpture, photography, and installation, Kate Bonner acknowledges our human desire to investigate, to know, to mentally construct, while simultaneously confounding it.

Opposite – An effect like fast forwarding, 2014

Exhibition runs through to June 28th, 2014

Luis De Jesus Los Angeles
2635 S. La Cienega Blvd
Los Angeles
CA 90034

www.luisdejesus.com