F. ROY KEMP – MIDCENTURY BURLESQUE

Posted on 2019-09-16

Canadian photojournalist F. Roy Kemp spent the 1950s documenting the New York burlesque scene, producing thousands of images that give us a glimpse into the public and private lives of performers unparalleled in other photographers’ work. The Burlesque Hall of Fame will feature selections of this work, with images of burlesque superstars like Tempest Storm, Blaze Starr, Zorita, and Jennie Lee, as well as lesser-known performers like Zizi Richards and Naja Karamuru. Kemp shot pin-ups, but he was decidedly not a pin-up photographer. His best shots catch his subjects on stage, backstage, and in their homes. Kemp’s photos present an almost ethnographic view of the live of a working performer.

Opposite – Blaze Starr

Exhibition runs through to December 31st, 2019

Burlesque Hall of Fame (BHoF)
1027 S Main St #110
Las Vegas
89101 NV

www.burlesquehall.com

  

SUPREME/THE VELVET UNDERGROUND

Posted on 2019-09-16

New York City rock band The Velvet Underground came together in 1964, when Lou Reed met John Cale. Reed (then an in-house composer at pop-rock song factory Pickwick Records) crafted songs that were both carnal and catchy. His lyrics – about addiction and androgyny, desire and redemption – drew equal influence from poet Delmore Schwartz and his drug dealer. Cale – who dealt in drones, dissonance, pulse and improvisation as a member of La Monte Young’s avant-garde ensemble – also nodded to the soul riffs of Marvin Gaye. The pair set out to form a band that would energize popular music with the experimental sensibilities they shared. Recruiting guitarist Sterling Morrison and drummer Maureen Tucker, the group fittingly adopted the title of Michael Leigh’s exposé on American sexual deviancy, The Velvet Underground, as its name.

Despite its relatively short lifespan, The Velvet Underground fundamentally changed rock music. The band’s transformative debut album was an explosion of possibilities; it set the stage for decades that followed its 1967 release. The record featured haunting vocals by German model and chanteuse Nico, and was produced by Andy Warhol. After first watching the Velvets play at a Greenwich Village club in 1965, Warhol tapped the group as his Factory house band and featured its members in his underground movies. Despite the Velvets’ affiliation with the Pop Art superstar, the record failed to move more than 30,000 copies in its early years. According to Brian Eno, though, “everyone who bought one of those 30,000 copies started a band.” Punk, grunge, glam, goth, noise and new wave can all trace their subversive roots to The Velvet Underground and its downtown decadence.

This Fall, Supreme will release a collection featuring original album artwork from The Velvet Underground’s discography. The collection consists of a Rayon Shirt, Ringer Tee, two Hooded Sweatshirts and three T-Shirts.

Available in-store NY, Brooklyn, LA, London, Paris and online September 19th.

Available in Japan on September 21st.

www.supremenewyork.com

  

NEIL BELOUFA – LA MORALE DE L’HISTOIRE

Posted on 2019-09-16

This is the story of a post-capitalist dehydrated camel who gets some young, dynamic fennecs to build a wall at the expense of the worker ants…
Like the fable that accompanies it (a text that is at once a literary object, a fictional story, and an allegory), Neïl Beloufa’s first solo exhibition at galerie kamel mennour is a stratified choose-your-own-adventure. Engaging the proteoform possibilities that characterise his practice, Beloufa has sketched out a number of propositions with a single movement and within a single space, as if he were layering layers on Photoshop, copy-pasting incompatible aesthetics and theoretical discourses. The exhibition, a postdigital Bride Stripped Bare, displays an instability of meaning that requires of the viewer that she change the paradigm under which she relates to the works, which is no longer an authoritarian and/or democratic and/or participative configuration, but rather requires that she adapt to the idea that meaning here, if there is any, is irreducible, malleable, and subjective.

Opposite – Applique #3, 2019

Exhibition runs through to October 5th, 2019

Kamel Mennour
6, Rue Du Pont De Lodi
75006 Paris

www.kamelmennour.com

  

CARLETON WATKINS

Posted on 2019-09-16

Though made within the first decades of photography’s invention, Watkins’s work, and his perception of the western landscape, remaindeeply relevant today. Theexhibition includes dramatic views of a still little-known Yosemite Valley, the Columbia River in Oregon, and a near-surreal depiction of Mission San Luis Rey in Southern California, situated in an empty expanse. Other images include an overview of the burgeoning city of Portland, Oregon in 1867, and deer grazing on the grounds of a Menlo Park estate in the late 1870s. Watkins’s large-format albumen prints, each measuring approximately 15 x 20 inches, were among the largest photographs of their time. To make photographic prints at this scale Watkins used massiveglass-plate negatives painstakingly coated and developed on site, requiring the transportation ofhis cumbersome tent, glass plates, and chemicals into the wilderness.

Opposite – Mission San Luis Rey, ca. 1877

Exhibition runs through to October 19th, 2019

Fraenkel Gallery
49 Geary Street
San Francisco
94108 CA

fraenkelgallery.com

  

VOLUME FOUR, ISSUE NINE

Posted on 2019-09-11

Photography & Art content Paul Franco, Sophie Green, Keith Haring, Timothee Lambrecq, Jason Lee, Courtney MC, NASA.

Photography & Fashion content Hollie Fernando, Jens Ingversson, Quentin Jones, Kenneth Cappello, Jem Mitchell, Ben Parks, Michael Harrison Rudd, Hannah Scott Stevenson.

Available at exitmagazineshop.bigcartel.com

  

VOLUME FOUR, ISSUE NINE

Posted on 2019-09-11

Photography & Art content Paul Franco, Sophie Green, Keith Haring, Timothee Lambrecq, Jason Lee, Courtney MC, NASA.

Photography & Fashion content Hollie Fernando, Jens Ingversson, Quentin Jones, Kenneth Cappello, Jem Mitchell, Ben Parks, Michael Harrison Rudd, Hannah Scott Stevenson.

Available at exitmagazineshop.bigcartel.com