Posted on
2019-03-11
Incorporating landscape, portraiture and abstraction, the exhibition will demonstrate Callahan’s deeply personal response to his own life. His wife, daughter, and the streets, buildings and landscape of the cities he called home, were all re-occurring subjects of his work. Within his diverse subject matter, he established a singular aesthetic with a drive for experimentation which has had a lasting influence on post-war photography.
The exhibition will focus on works from the first two decades of Callahan’s career, from the early 1940s until the late 1950s, when he was based in Chicago. Callahan met Hungarian painter and photographer, László Moholy-Nagy in 1946, and went on to join the faculty of the New Bauhaus school that Moholy-Nagy had established in the city. The significance of this is evident in Callahan’s photographs from the 1940s which share the principles of Bauhaus design and experimentation. Much of his work from this period explores both total abstraction and the technicalities of the photographic medium, including use of double and triple exposures, blurs, extreme contrasts and collage.
Opposite – Eleanor, Chicago, 1949
Exhibition runs through to April 6th, 2019
Huxley-Parlour Gallery
3-5 Swallow Street
London
W1B 4DE
huxleyparlour.com