THE FIRST PURGE

Posted on 2018-06-18

Behind every tradition lies a revolution. Next Independence Day, witness the rise of our country’s 12 hours of annual lawlessness. Welcome to the movement that began as a simple experiment: The First Purge.

To push the crime rate below one percent for the rest of the year, the New Founding Fathers of America (NFFA) test a sociological theory that vents aggression for one night in one isolated community. But when the violence of oppressors meets the rage of the marginalized, the contagion will explode from the trial-city borders and spread across the nation.

In theatres July 4th, 2018

the-first-purge

  

MISS RED – DAGGA/ ONE SHOT KILLER

Posted on 2018-06-18

PRESSURE presents the limited edition red vinyl 12” of Miss Red ‘Dagga / One Shot Killer’, produced by Kevin Martin aka The Bug. Strictly limited to 500 copies worldwide and handstamped with her K.O. logo.

pressurerecords.bandcamp.com

  

ADIDAS ORIGINALS SUPERSTAR 80S – VARSITY LETTERS

Posted on 2018-06-18

Adidas Originals continues to find interesting new ways to put a spin on the 50-year old shoe, which is a two-pack of Superstar 80s featuring huge chenille varsity-style letters on the heel. Available in black and white, each pair offers a premium leather upper with tonal three stripe branding. The chenelle letters continue the tonal look, with the left shoe featuring “SUPER” while the right finishes the branding with “STAR.”

www.adidas.co.uk/originals

  

ANDREW MOORE – BLUE ALABAMA

Posted on 2018-06-18

Moore began work on a series set in the south in 2010, initially travelling to Georgia, Louisiana, and Mississippi before shifting his focus to Alabama, in particular the Black Belt, a rich and complex region Moore calls “the most prominent social and cultural feature of Lower Alabama.” The 14 photographs comprising this forthcoming exhibition evince Moore’s signature style, large format prints captured by and 8×10 view camera and shot on film. Their scale and clarity enable the viewer to step into the Blue Alabama storybook unguarded and freely crossing thresholds of humanity equal in scope and richness.

Opposite – Blue Sweep, Dallas County, AL, 2017

Exhibition runs through to July 7th, 2018

Jackson Fine Art
3115 East Shadowlawn Avenue
Atlanta
30305 GA

www.jacksonfineart.com

  

MARY SHELLEY

Posted on 2018-06-18

She will forever be remembered as the writer who gave the world Frankenstein. But the real life story of Mary Shelley, and the creation of her immortal monster—is nearly as fantastical as her fiction. Raised by a renowned philosopher father (Stephen Dillane) in 18th-century London, Mary Wollstonecraft Godwin (Elle Fanning) is a teenage dreamer determined to make her mark on the world when she meets the dashing and brilliant poet Percy Shelley (Douglas Booth). So begins a torrid, bohemian love affair marked by both passion and personal tragedy that will transform Mary and fuel the writing of her Gothic masterwork. Imbued with the imaginative spirit of its heroine, Mary Shelley brings to life the world of a trailblazing woman who defied convention and channeled her innermost demons into a legend for the ages.

In theatres July 6th, 2018

mary-shelley

  

MISTAKEN IDENTITIES

Posted on 2018-06-18

Mistaken Identities: Images of Gender and Transformation considers how photographic representations reinforce or subvert prevailing roles of gender and sexuality. In particular, the exhibition looks at instances where social roles may be deliberately exaggerated or transgressed, including photographs that involve cross-dressing, nudity, mimicry, and other acts of queering social norms. Featured photographers and their subjects manipulate the conventions of photographic portraiture to explore changing notions of gender and sexuality, including Lesbian, Gay, Bisexual, Transgender, Intersex, and Queer (LGBTIQ) identities.

The images in Mistaken Identities play with the discrepancies between public and private performance of identity. Staging the performance for the camera, they pose overt and often personal challenges to public standards of “appropriate” behavior. Depending on the social context, the subjects’ role-playing may be intimate or extravagant, endearing or shocking. Considering the social signifiers of the body or the role of fashion in image making, the works in Mistaken Identities deploy portraiture to destabilize visual expectations and invert markers of identification, thereby questioning the notion of a stable, authentic self.

Opposite – Adolfo Patiño, 1979

Exhibition runs through to July 28th, 2018

The Walther Collection Project Space
526 West 26th Street
New York
10001 NY

www.walthercollection.com