Posted on
2018-04-02
The exhibition focuses on his best known photographs from the 1970s, documenting the nightlife of Black clubs on Chicago’s South Side and the underground funk/blues and early disco scene. It’s a celebration of the style and culture of a bygone era.
As a white photographer working in black nightclubs, which was taboo at the time, Abramson was always welcome to photograph and became a functioning part of the club’s atmosphere, he gained recognition and respect for his photographs giving many of them away to the clubbers. He also embraced the sounds and the ambience of the nights. In his own words: “I had a ball”.
“A camera is a window through which a photographer interacts with the world, and it’s up to the operator to decide whether his camera will be a barrier or a mirror between he and his subjects. In the 1970s, Michael Abramson chose the latter path when he brought his camera to Pepper’s Hideout on Chicago’s South Side. Following in the footsteps of his acknowledged influence Gyula Halász, a Hungarian photographer better known as Brassaï who became the pre-eminent chronicler of the Paris nightlife he loved so much, Abramson initiated himself into the nightlife of Chicago’s predominantly black neighbourhoods. He was very much a part of the scene he documented on film, drinking, laughing, and dancing with his subjects into small hours and becoming as much a part of the atmosphere as the locals who frequented the same nightspots he did.” – Joe Tangari (Numero Group, 2009)
Exhibition runs through to May 6th, 2018
MMX GALLERY
448 New Cross Road
London
SE14 6TY
mmxgallery.com
