MARK MORRISROE – BOY NEXT DOOR

Posted on 2018-02-19

Mark Morrisroe was born in Malden, Massachusetts, north of Boston, and grew up in the area before attending the prestigious School of the Museum of Fine Arts, where he first met such artists as Doug and Mike Starn and Gail Thacker, and was inspired by older photographers such as Nan Goldin and David Armstrong. It was there that Morrisroe befriended fellow student Pat Hearn, and the two spent a summer together in Provincetown in 1980. By early 1983 Hearn moved to New York City where she established her eponymous gallery in the East Village and began selling Morrisroe’s work. ClampArt’s exhibition is comprised primarily of photographs acquired directly from Hearn before her untimely death at age forty-five in 2000. Hearn was well-known and widely respected for her strong relationships with and championing of young artists, and she carefully advised her clients on specifically which artworks to collect. Hearn and Morrisroe were close until his own untimely death at the age of thirty in 1989; and after that, Hearn served as the executrix of the artist’s estate and went on to mount a series of memorial shows in 1994, 1996, and 1999. Hearn appears in many of Morrisroe’s best-known photographs (a couple of which are included in the current exhibition).

Opposite – Untitled (Wally)

Exhibition runs through to March 24th, 2018

ClampArt
521 – 531 West 25th Street
New York
10001 NY

clampart.com

  

Y-3 JAMES HARDEN INSPIRED CAPSULE

Posted on 2018-02-14

Y-3 reveals a capsule collection that sees Basketball superstar, James Harden, through the lens of adidas and Yohji Yamamoto.

The Botan flower, known as “The King of Flowers”, is the collection centrepiece: a symbol of bravery, nobility, honour, respect & good fortune. These qualities uniquely describe James Harden both on & off court. The Y-3 BYW BBall – first seen on the runway in January – makes its debut by translating his style from court to street. BYW stands for ‘BOOST you wear’.

The six piece capsule of apparel, footwear and accessories will be pre-launched on FEB 16th & 17th in Los Angeles at 747 Warehouse St. The range will expand to a global release in April.

www.y-3.com

  

THE SWATCH VIBE

Posted on 2018-02-12

Swatch introduces The Swatch Vibe from Spring-Summer 2018. Spring and summer is all about being outside and Swatch takes the party from day to night. Created with a glance at the past, the brand’s newest hits reinterpret its design icons with inspiration from the latest trends.

The Swatch Vibe is reflecting the sportive and colourful side of Swatch. Flashing neon signs light up the night but the watches in this collection are the real stars with fluorescent straps, energetic glow-in-the-dark details and powerful 3D structures. Combining athletic styles with uplifting everyday looks, this collection is buzzing with energy and ready to go.

www.swatch.com

  

BORIS IGNATOVICH

Posted on 2018-02-12

This is the first ever solo exhibition held in New York for Boris Ignatovich (1899-1976), a towering figure in Russian Constructivist photography. The exhibition features some of the artist’s most celebrated photographs from the 1920s and 1930s, including large-scale gelatin silver prints of unprecedented size (29 x 39 inches) made by Ignatovich himself for the 1969 exhibition at the Moscow Central House of Journalists in honor of his seventieth birthday.

Opposite – At the Hermitage, 1930

Exhibition runs through to March 17th, 2018

Nailya Alexander Gallery
41 E 57th Street
Suite 704
New York
NY 10022

www.nailyaalexandergallery.com

  

MARKUS BRUNETTI – FACADES – GRAND TOUR

Posted on 2018-02-12

Markus Brunetti’s FACADES is a project dedicated to recording and conveying the artistic complexity of European architecture by capturing the façades of historic cathedrals, churches and cloisters in minute detail. In the tradition of Bernd and Hilla Becher’s serial documentation of German industrialization, the front surface of each structure is photographed in a precise and regulated style allowing for typologies and comparisons. The subjects are conceived as idealized designs, or as what might be called photographic drawings on paper, similar to the architects’ or builders’ original plans and the engravings of Old Masters.

Brunetti’s FACADES are the result of continuous travel and work with his partner, Betty Schoener, in their self-contained computer lab on wheels. Initially focused on sites in Western Europe, their Grand Tour has now broadened to include varied religious histories and denominations in Scandinavia and Eastern Europe. New additions to the series include composites of the Baroque Marian Sanctuary in Święta Lipka, Northern Poland; wooden Stave churches of Norway; the towering St. Lorenz gothic church in Nuremberg, Germany; as well as the ornate façades of churches, basilicas and synagogues in Lithuania, Italy, Portugal, England and France.

Opposite – Lichfield, Cathedral, 2014–2017

Exhibition runs through to April 14th, 2018

Yossi Milo Gallery
245 10th Avenue
New York
10001 NY

www.yossimilo.com

  

DEBORAH ROBERTS – UNINTERRUPTED

Posted on 2018-02-12

Deborah Roberts states, “Having one’s identity dismantled, marginalized and regulated to non-human status demands action. This led me to critically engage image-making in art history and pop-culture, and ultimately grapple with whatever power and authority these images have over the female figure.” By combining found and manipulated photographs with paintings and drawings, Roberts creates female portraits that challenge myths and stereotypes attached to young black girls. The multi-layered faces of Roberts’ figures exemplify the multiplicity and complexities of black identity, while subverting social ideas that seek to homogenize the black female body. Although they are constructed by photographs of famous individuals, such as Michelle Obama, Willow Smith, and Gloria Steinem, the images are cut and altered beyond recognition to create a portrait that adheres to a more universal beauty standard—one inclusive of women of color.

The subjects of Roberts’ collages are located in the space where social expectations and stereotypes encroach upon the naiveté and innocence of childhood.

With an eight to ten-year-old young black girl as the protagonist of her work, Roberts confronts the ubiquitous influences of popular culture and visual culture on the minds and bodies of young black girls. By reassembling and altering found photographs, Roberts reclaims power over the images that have impacted black women’s self-image since adolescence.

Opposite – Unbothered, 2017

Exhibition runs through to March 17th, 2018

Jenkins Johnson Gallery
464 Sutter Street
San Francisco
94108 CA

www.jenkinsjohnsongallery.com