JABER AL AZMEH – BORDER-LINES

Posted on 2016-05-23

Where his previous series Wounds (2012) tackled the emotional ramifications of the uprising in Syria, and Ba’ath (2014) addressed the lack of freedom speech as the conflict unfolded, Border-lines takes on a more aerial perspective, exploring both the roots of global crisis and its implications.

There is a line that cuts through this latest body of work. Quickly, it becomes apparent that the line is a compositional aspect and curatorial instrument of the exhibition. Upon closer inspection, however, that equatorial line burns at the very partition between dream and reality, conscious and unconscious. In spite of the appearance of calmness and minimalism, there is a screaming silence to these images.

The show launches with an Orwellian feel – a cluster of photographs in barren deserts, all of which speak of consumerist, capitalist cultures and snapshots of global systems that have ostensibly failed. Those images of a gigantic, rusted billboard void of a message; row upon row of identical, seemingly socialist houses empty of emotion; and a chain of frozen buses, together question our contemporary reality.

Opposite – Madness 3, 2015

Exhibition runs through to July 2nd, 2016

Green Art Gallery
Al Quoz 1, Street 8, AlSerkal Avenue, Unit 28
P.O.Box 25711 Dubai
UAE

www.gagallery.com

  

KILO KISH – “HELLO, LAKISHA”

Posted on 2016-05-23

Directed by Yong oh Kim and Kish Robinson
song produced by Ray Brady from Kilo Kish’s Album ‘Reflections in real time

twitter.com/kilokish

  

ANTONY GORMLEY – CONSTRUCT

Posted on 2016-05-16

The exhibition begins with a life-size work from Gormley’s series of ‘Bodycases,’ Bridge (1985), in the front gallery space. This is one of the earliest works made from a plaster mould of the artist’s body, strengthened with fiberglass and encased in a skin of lead. Gormley sees Bridge as an objective mapping of the subjective space of the human body. The visible soldering lines on its surface form clear horizontal and vertical axes: the body is treated as the location of physical and spatial experience. Bridge is presented alongside Scaffold (2015), a recent work in which Gormley has translated the grid of horizontal and vertical lines of Bridge into a freestanding, three-dimensional mapping of the internal volumes of the body. Together these works propose that we consider the body less as an object and more as a site and agent of transformation.

Opposite – BIG PLUCK 2, 2016

Exhibition runs through till May 29th, 2016

Sean Kelly Gallery
475 Tenth Avenue
New York
NY 10018

www.skny.com

  

ELEANOR ANTIN – WHAT TIME IS IT?

Posted on 2016-05-16

Eleanor Antin: What time is it?, is a solo exhibition of sculpture by the San Diego-based artist. This exhibition will recreate two groundbreaking installations of conceptual portraiture – CALIFORNIA LIVES (1969) and Portraits Of Eight New York Women (1970) – originally presented at alternative spaces in New York City.

Eleanor Antin’s CALIFORNIA LIVES was shown at GAIN GROUND, Robert Newman and Naomi Dash’s space on West 80th Street. The artist, who lived in Solana Beach with her husband, poet David Antin, and son Blaise, returned to New York with a series of portraits of both real and fictitious Californians that she assembled from consumer goods and household artifacts. A narrative text panel accompanied each assemblage.

Opposite – The Murfins, 1969

Exhibition runs through till June 18th, 2016

Diane Rosenstein
831 North Highland Avenue
Los Angeles
CA 90038

www.dianerosenstein.com

  

HMNIM X JOE LEDBETTER – OCTOPUS SKATE DECKS

Posted on 2016-05-16

Joe Ledbetter (aka: J.Led) is an artist, illustrator and toy designer based in Los Angeles, CA. His distinctive style is deeply influenced by classic animation, underground comics, skateboarding and 1980′s video games. (thank you wikipedia). You may recognize Joe’s art from the cover of Motion City Soundtrack’s Mark Hoppus produced album, “My Dinosaur Life”.

Hi my name is mark, told Joe, that he could do anything he wanted, and we are so glad we did, one of the most incredible looking skate decks we’ve ever seen.

28″ long
10″wide
16″ wheelbase.
Top sheet color will vary
“Yellow” edition limited to 77
Hand signed & numbered by Joe Ledbetter
Only 1 of each color way per customer.

www.himynameismark.com

  

KYLE MONTGOMERY – EXISTENCE

Posted on 2016-05-16

Sydney artist Kyle Montgomery’s infatuation with the afterlife is intriguing to say the least. He finds himself exploring symbolic items from both religious and spiritual realms then comparing their relevance to one another through various sculptural forms. He’s often hunting antique centres and auction sites for second hand ‘Mary’ statues – a common icon in Christian faith, seen to offer guidance and support on the path to life after death. Montgomery also has a strong interest in crystals and the knowledge and power they are said to contain, symbolise relevance to those on a more spiritual front.

The Crystal Mary – is an intentional collision of two beliefs in physical form, combining religion and spirituality to create the ultimate icon. These sculptural works delve into ideas of re-birth and the after- life, principals and messages he portrayed earlier collage works before transforming them into the three dimensional.

Exhibition runs through till June 3rd, 2016

SLOW CULTURE
943 N. Hill St
Los Angeles
CA 90012

www.slowculture.com