MR TONER GOES TO THE STANDARD, HOLLYWOOD

Posted on 2014-07-23

Almost before it started, she was terrified that it would end.

The only thing she could compare it to was the feeling of getting high, as she used to do on endless college weekends, and the panic – which started as soon as the rush did – that the feeling wouldn’t last until the end of the queue, that the rush would rush up and out of you before you got to dance in the dark and the sweat.

It was hot in Los Angeles, as it always was, but this was the kind of heat which pleased nobody, not even the reddening tourists on the strip who sweated into their baseball caps and drank to make up for it. It was the third night of her stay and, aside from business, nothing had happened. She was beginning to wonder whether nothing ever happened to women over 35.

That evening, after showering, she descended to the bar and ate dinner alone. Although solo diners were far from unusual in this hotel, the attention of the young dark-haired waitress embarrassed her. She couldn’t tell whether the girl’s little spatters of conversation were patronising or flirtatious, and dreaded the latter. She used to enjoy this game, but now it made her feel old, pervy and uncomfortable.

The air-conditioning was doing little to stop the bar overheating. The waitress and the heat were already making her jumpy, so when a cool hand was placed on her wrist, she startled and gasped.
As she looked up, the boy standing above her chuckled at her overreaction.

In a British accent: “Jesus, love, I was only going to offer to buy you a drink.”

He was teasing her. He’d learnt early that women love to be teased. His tone should have annoyed her, but the dangerous art of flattery was already working. He was young, very good looking in an asymmetrical way and he was at her table to ask her for a drink, not anybody else. She looked up at him, and decided to indulge in flattery.

Before he’d even returned to the table, the panic (it won’t last it won’t last) began.

He was at the bar ordering drinks and chatting with the girl who had been her waitress, looking back at her and grinning with the boyish cockiness she used to see so often in her male friends – the ones she’d got high with and, usually, fucked, all those years ago – whereas now she only saw manly exhaustion. She smiled back at him, pushed the panic’s head under and wondered if he could afford to pay.

“So!” – as he sat beside her without invitation and presented her with a cocktail which was half ice – “Who are you then?”

She was amused by his bluntness. Did he really not know the approved script for such bar-side flirtations? Perhaps it was a British thing.

She told him her name, her reasons for being in town, and asked the same back. She let his enthusiastic chatter wash over her as she drank and admired him. Another drink followed, and another. She decided to take him seriously when he declared her career summary ‘impressive’, or when he laughed at something she’d said.

Another drink, and she decided she’d like to sleep with him. The panic flared again (it’s going to end it’s going to end) but this time she ignored it.

She was going to make an exception for him, this British boy on his first trip to LA, who didn’t understand that you don’t offer strangers a drink in a hotel like this. He was naïve and it turned her on.

The dark-haired waitress cleared their empty glasses, this time in silence. They watched her leave. It was nearing the end of the night and her vision had become pleasantly blurred. She excused herself for the bathroom and he asked her to hurry back. God, he really did know nothing about this. Perhaps they didn’t play it cool in London.

She looked at herself in the mirror. The alcohol and the boy were making her giddy. She giggled at herself. It wasn’t taking advantage, was it? She knew LA and she knew sex. She was going to give him the holiday of a lifetime.

When she returned to the bar, he wasn’t sitting where she left him. After a brief scan of the room, she wandered towards the terrace. As she passed the kitchen, she saw them. Dark hair across her face, pushed up against the wall, her skirt in his fist, thighs lifted, and him, grunting and thrusting, all teeth and tongue at her throat. The come-down crept along her back and shoulders and reached her face, locking her jaw in a dull ache. It was never going to last.

Photography – Stephen Toner
Words – Rosie Hore

standardhotels.com/hollywood

  

BROOMBERG & CHANARIN – DIVINE VIOLENCE

Posted on 2014-07-22

While visiting the Bertolt Brecht archives in Berlin, Broomberg & Chanarin discovered a remarkable artefact: Brecht’s personal bible. The object caught their attention because it had a photograph of a racing car stuck to the cover. Inside the pages they discovered that the German playwright had used his bible as a notebook; pasting in images, underlining phrases and making notes in the columns. This was the inspiration for their own illustrated Holy Bible, which they realised first in book format (published by Mack, 2013) and now, on show at MOSTYN in its UK premiere, as a full-scale exhibition. For this project, the artists have combined images taken from The Archive of Modern Conflict – the largest archive in the world dedicated to images of war and conflict – with phrases in the text, which they have underlined in red ink.

A short essay by the Israeli philosopher Adi Ophir underpins the exhibition endeavour. In his writing, Ophir observes that God reveals himself in the bible predominantly through acts of catastrophe, and considers the biblical text as a parable for the growth of modern governance. With this exhibition, for the first time Broomberg & Chanarin make this parable powerfully explicit.

Exhibition runs through to November 2nd, 2014

MOSTYN
12 Vaughan Street
Llandudno
LL30 1AB

www.mostyn.org

  

GUARDIANS OF THE GALAXY

Posted on 2014-07-21

Marvel’s “Guardians of the Galaxy” expands the Marvel Cinematic Universe into the cosmos, where brash adventurer Peter Quill finds himself the object of an unrelenting bounty hunt after stealing a mysterious orb coveted by Ronan, a powerful villain with ambitions that threaten the entire universe.

To evade the ever-persistent Ronan, Quill is forced into an uneasy truce with a quartet of disparate misfits-Rocket, a gun-toting raccoon, Groot, a tree-like humanoid, the deadly and enigmatic Gamora and the revenge-driven Drax the Destroyer. But when Quill discovers the true power of the orb and the menace it poses to the cosmos, he must do his best to rally his ragtag rivals for a last, desperate stand-with the galaxy’s fate in the balance.

In theatres July 31st, 2014

marvel.com/guardians

  

MOOD INDIGO

Posted on 2014-07-21

Eminently inventive auteur Michel Gondry finds inspiration from french novelist Boris Vian’s cult novel to provide the foundation for this visionary and romantic love story starring Audrey Tautou and Romain Duris.

Set in a charmingly surreal Paris, Duris plays wealthy bachelor Colin, whose hobbies include developing his pianocktail (a cocktail-making piano) and devouring otherworldly dishes prepared by his trusty chef Nicolas. When Colin learns that his best friend Chick (Gad Elmaleh, The Valet), a fellow acolyte of the philosopher Jean-Sol Partre, has a new American girlfriend, our lonely hero attends a friend’s party in hopes of falling in love himself. He soon meets Chloé (Tautou) and, before they know it, they’re dancing to Duke Ellington and plunging headfirst into a romance that Gondry rapturously depicts as only he can. Their whirlwind courtship is tested when an unusual illness plagues Chloe; a flower begins to grow in her lungs. To save her, Colin discovers the only cure is to surround Chloe with a never-ending supply of fresh flowers.

In theatres August 1st, 2014

mood-indigo

  

A PROMISE

Posted on 2014-07-21

Germany, 1912. A graduate of humble origins takes up a clerical post in a steel factory. Impressed by his work the elderly owner takes him on as his private secretary. His health declining, the owner is confined to his home, where the young man moves to continue his work. There he meets the owner’s wife, a much younger woman, beautiful and reserved.

Separated by an ocean, they exchange passionate letters while awaiting the day that will reunite them. Then, on the verge of his return to Germany, World War 1 erupts. All maritime travel between South America and Europe is suspended. His beloved pines, awaiting his return.

Eight years later, with millions dead and Europe in ruins, the exile returns, to his homeland and to the woman he hopes has been waiting for him. But has their love survived the brutal passage of time?

In theatres August 1st, 2014

a-promise

  

JAMIE LAMBIE – ANSWER MACHINE

Posted on 2014-07-21

Jim Lambie brings together an array of new works which interweave elements of sculpture, painting and installation. Diverse in scale and ranging in media, they extend the artist’s long-term use of found objects as catalysts for sensuous studies in colour, form and materiality. Music remains a pervasive influence in Lambie’s art. It is reflected both in his raw materials and his works’ dynamic shifts in mood and medium. In three paintings, he has
plugged lengths of electrical cable into the works’ surfaces. They trail onto the floor in multi-coloured cascades, as if the streaming rivulets of a Morris Louis painting have taken on physical form. The high-gloss paintwork meanwhile incorporates paint-drenched sections of men’s shirts and trousers.

In both cases, the language of painterly abstraction merges with the lowly aesthetic of Italian arte povera – resulting in works that are both literal and exuberantly lyrical. Suspended the middle of the gallery, Ultratheque (Poppers remix) comprises a cluster of fine chains made from interlocking safety pins. These terminate at either end with a designer shoe, and have been threaded with multiple pairs of sunglasses using gaffer tape. Seemingly bouncing off the floor and ceiling, the glittering pendants recall the space’s origins as a nightclub, evoking the shimmer and energy of a dance floor. The motley contents and seductive surfaces of Ultratheque (Poppers remix) find a parallel in an installation of eight ladders faced with tinted mirrors. Leaning at different angles against the wall, they reflect the struts of the pitched ceiling, a nod to their lost function.

Exhibition runs through to August 16th, 2014

Sadie Coles HQ
62 Kingly Street
W1B 5QN
London

www.sadiecoles.com