ALEX PRAGER – COMPULSION
2012-04-23Inspired by the photography of Weegee and Enrique Metinides, and films such as Metropolis and Un Chien Andalou, Compulsion confirms Prager’s vivid cinematic aesthetic. Unlike her previous work, however, the protagonists remain anonymous and distant. Prager’s new series investigates the complexity of observation within a society inundated by compulsive spectators, as well as the recurrent discourse in photography, that “meaning” is often derived from a multiplicity of gazes.
In addition to provocative juxtapositions, Prager manipulates the scenes through her choice of cropping, continually interrogating the truth content within photography, a trope as old as the medium itself. As artist John Baldessari has noted: “For most of us photography stands for the truth, but a good artist can make a harder truth by manipulating forms…It fascinates me how (one) can manipulate the truth so easily by the way (you) juxtapose opposites or crop the image or take it out of context.” Prager’s altered and manufactured scenes, in conjunction with the evocative eyes remove, the images from their original context and allow them to aquire new associations.
Exhibition runs through till May 26th, 2012
Michael Hoppen Gallery
3 Jubilee Place
London
SW3 3TD