Posted on
2011-12-26
Dayanita Singh’s latest body of work, entitled “House of Love”, is novelistic in its approach yet curiously elliptical in its multiple subject matters. For the first time in a single series, Ms. Singh has combined black-and-white with color photographs, images shot both in India and around the world, yet none are identified and all are allowed to be free-floating, tethered to one another only by the circumstances of “stories” in which they have been grouped (with individual titles such as “Continuous cities, “ “Theft in a cake shop,” “Departure lounge,” and “Being of darkness,” the nine “stories” ranging in groups as small as six and as large as seventeen pictures). Everything and all to be at the service of the book of the same name, Ms. Singh’s primary medium for her images and the unifying structure in which this diversity becomes succinct.
The subjects of Ms. Singh’s pictures range from bucolic landscapes and congested cityscapes; portraits of friends, acquaintances and strangers (both formally posed and spontaneously captured); arrangements of objects found in homes, museums and offices; the interiors of all types of spaces and the exteriors of all manner of constructions. This multiplicity finds cohesion in proscribed themes which run throughout Ms. Singh’s project: the romance of travel, the mysteries of attraction, and the displaced yearnings of desire. “House of Love” is Ms. Singh’s response to the delirious satisfaction she has found within the works of her favourite authors (Italo Calvino, Amitav Ghosh, Orhan Pamuk, W.G. Sebald, Vikram Seth, among others), telling a story of life and how it is lived in the way she knows how to, through photographs collected into a book.
Opposite – Ambulance 4, 2010
Exhibition runs through to January 29th, 2012
Nature Morte
A-1 Neeti Bagh
110 049
New Delhi
India
www.naturemorte.com