Posted on
2011-06-13
In this new series of works, Levine continues and extends the conceptual trajectory of this act of referencing. Bobcat and javelina skulls cast in bronze recall her 2007 exhibition at the Georgia O’Keeffe Museum in Santa Fe, where the artist has made a home, and where she showed a series of cattle skulls in clear reference to paintings by O’Keeffe. Here too the source of the work is a found object, and the artist shows the javelina skulls as a series, six sculptures from the edition in a row. Through this repetition, the sculpture becomes a reference to itself, and calls attention to the seriality central to the artist’s work.
Sherrie Levine came to prominence as one of a generation of artists who, during the 1970s and early 1980s, became known under the label of postmodernism. One of the characteristics of her work that drove critics at the time, Craig Owens in particular, to identify it as such was its use of appropriation. In his influential 1980 essay: The Allegorical Impulse: Toward a Theory of Postmodernism, Owens saw Levine’s use of appropriation as a strategy working against the Modernist imperative of originality and artistic genius.
Opposite – Bobcat Skull, Cast bronze, 2010
Exhibition runs through to July 16th, 2011
Simon Lee Gallery
12 Berkeley Street
London
W1J 8DT
simonleegallery.com