THREE LANDSCAPES: JB BLUNK, ANNA AND LAWRENCE HALPRIN

Posted on 2022-06-27

This exhibition presents key historical works created by JB Blunk in the 1960s and ‘70s. Made specifically for the Halprins’ home, these pieces have never before been displayed to the public. True to JB’s tradition, these sculptures were carved from salvaged old growth redwood burl and cypress—the artist worked with stumps often centuries old and larger than twenty feet in diameter. Known for using chainsaws and hand tools on massive, single blocks of wood, JB would study the grain and burl for days or weeks, and then—without the use of sketches or maquettes—he would work reductively on the single form. Seeking to reveal the spirit of the organic materials with which he worked, JB often left much of the natural form intact, celebrating its inherent qualities. His works were made to be used, with form and function almost indistinct. As artist Charles Ray once put it, “If you can’t see a work of JB Blunk’s, you can sit on it. Perhaps you see it by sitting on it.”

Opposite – Installation view

Exhibition runs through to August 13th, 2022

Blum & Poe
2727 South La Cienega Boulevard
90034 Los Angeles

www.blumandpoe.com

  

DAVE MULLER – SUNSET, SUNRISE (REPEAT) B/W THE RECORD PAVILION

Posted on 2022-06-27

With Sunset, Sunrise (repeat) b/w The Record Pavilion, Muller looks back on his life of growing up in record stores. In a tribute to the slow and physical act of touching, browsing, and looking at records, this exhibition presents the artist’s treasured pastime, one that is becoming extinct as music consumption is increasingly intangible. The presentation unfolds in three parts: hand-painted wall murals, new paintings of records and record store paraphernalia, and an open-air, modernist pavilion for rehousing records.
Muller’s newest paintings draw from a reservoir of reference materials that the artist has amassed, including his scrupulous archive of price tags and hype stickers—a personal collection of roughly 1,500 unique decals from albums purchased. Depicting these at larger-than-life scale and layering them atop one another to fill the composition, Muller tapes off, gessoes, and paints each section of the work’s surface in thin, accumulating layers, in a nod to the analog and hand-done systems of music distribution.

Opposite – Youth Misspent (in Record Stores): $123.88 + 16.99 £, 2022

Exhibition runs through to August 13th, 2022

Blum & Poe
2727 South La Cienega Boulevard
90034 Los Angeles

www.blumandpoe.com

  

LEELEE KIMMEL – NIGHT RIDE

Posted on 2022-06-20

Leelee Kimmel’s paintings have always sustained this vibe, her abstract shapes from her very first show proclaiming themselves biomorphs, and avowing kinship with the art of Surrealism of Joan Miró, Yves Tanguy, and Roberto Matta-Echaurren. The most immediately apparent stylistic or formal quality is the impression of rapid, perfervid mark making. Her thick impastos nonetheless appear as if racing, colors violently switching ON/OFF ON/OFF, furious binaries. And this gestural ferment, these leaping and bounding motions indicate a desire for relentless movement within the confines of the picture plane and no less within the viewer, who may come to long for those moments of intersection or erasure in Kimmel’s work when everything goes quiet, stops pullulating: when this foreign-seeming tumult proffers moments of respite, or silent meditation.

Opposite – The Transfer, 2021

Exhibition runs through to August 5th, 2022

Almine Rech
27 Huqiu Road, 2nd Floor
200002 Shanghai
China

www.alminerech.com

  

JOE ANDOE – CHINATOWN

Posted on 2022-06-20

In Chinatown, Andoe presents a series of galloping horses painted in various shades of red. Throughout his career, Andoe has always painted horses, but this is his first exhibition focused on the subject specifically. The image is inspired by Andoe’s admiration for the early twentieth-century Chinese painter Xu Beihong, one of the pioneers of modern Chinese art, who is known for his depiction of horses and birds in India ink, and his large-scale oil paintings portraying epic themes from national history. In New York’s Chinatown, where Andoe lives, there are many restaurants whose signs also feature reproductions of Xu’s horses. To Andoe, this is a familiar, yet foreign, visual language, like so many of the things seen from the side of the road.

Opposite – Untitled (after Xu Beihong ), 2022

Exhibition runs through to August 5th, 2022

Almine Rech
27 Huqiu Road, 2nd Floor
200002 Shanghai
China

www.alminerech.com

  

PHILLIP ALLEN – COARSE GRAIN

Posted on 2022-06-20

Phillip Allen (b. 1967, London, UK) lives and works in London, UK. Exhibitions include Deepdrippings, Miles McEnery, New York (2020); Deepdrippings, Luca Tommasi Arte Contemporanea, Milan, Italy (2019); Deepdrippings, The Approach, London (2019); Deepdrippings, Kerlin Gallery, Dublin, Ireland (2017); Tonic for Choice, The Approach, London (2014); …the urgent hang around, Bernier/Eliades Gallery, Athens, Greece (2010); Classified (group show), Tate Britain, London (2009); Phillip Allen, Milton Keynes Gallery, Milton Keynes, UK (2006); Archipeinture: painters build architecture, Le Plateau/Frac Île-de France, Paris, France; Camden Arts Centre, London, UK (2006); British Art Show 6 (group show), Touring Exhibition organised by Hayward Gallery, London (2005); Phillip Allen: Recent Paintings, PS1 Contemporary Art Centre, Brooklyn, NY (2003). Paintings are included in the collections of Arts Council England, British Council and Tate, London.

Opposite – Kibitzer (Titled Version), 2021

Exhibition runs through to August 6th, 2022

The Approach
1st Floor, 47 Approach Road
Bethnal Green
E2 9LY London

theapproach.co.uk

  

SYLVIA SNOWDEN – GREEN PAINTINGS

Posted on 2022-06-13

Sylvia Snowden has developed a singular body of work spanning six decades, which is characterized by a visceral and sculptural application of paint in which color and texture emerge from densely-worked underlayers. Working in series, Snowden’s work aims to depict the struggles and triumphs of humanity and dispel the societal myths that are used to push us apart. Most notable is Snowden’s M Street Series started in the late 70s after Snowden moved to Washington’s Shaw Neighborhood, where she still resides, which was marked by impending dislocation due to gentrification. Snowden aimed to portray the people she encountered within the neighborhood, many of whom were transient, unemployed, and/ or unhoused, depicting each with their own individual grace and dignity. Pushing against the bounds of the paintings’ frames, Snowden’s figures seem to urgently wrestle with the energetic abstractions that surround them, as a way to depict their resilience in the face of adversity.

Opposite – Green I, 2019

Exhibition runs through to August 26th, 2022

Andrew Kreps Gallery
22 Cortlandt Alley
10013 New York
USA

www.andrewkreps.com