JENNIFER GUIDI – WATERFALL

Posted on 2026-09-07

Guidi conveys the dynamism of landscape through saturated colors and gradients. Bright pinks, violets, oranges, and yellows coalesce into passages of land and shore, juxtaposed with the blues and greens of oceans and lakes and the white of moving water. Like the sand that comprises their grounds, the paintings are developed as accumulations of discrete brushstrokes brought together into a greater whole. This approach adapts the formal innovations of Pointillism introduced by Georges Seurat and Paul Signac, dispersing a multitude of colorful dots across the canvas to create tremendous chromatic intensity.

Opposite – Held Between Ocean, Stone and Sky, 2026

Exhibition runs through till October 10th, 2016

Gagosian
4 rue de Ponthieu
75008 Paris
France

gagosian.com

  

EMMA PREMPEH – THE DOMAIN OF THE STRANGER

Posted on 2026-09-07

For her debut solo exhibition at Perrotin in Paris, Emma Prempeh presents a new body of work under the title The Domain of the Stranger, drawn from a line in Saidiya Hartman’s Lose Your Mother (2007).
Prempeh’s practice has long turned on questions of belonging, time, and inherited history, held across her Vincentian and Ghanaian lineages in different measures from one body of work to the next. This exhibition marks the first time these geographies sit alongside a third: the British landscape of her own upbringing in London, entering her painting for the first time. Within this triangulation, the artist also returns to her relationship with her father, a subject she had approached before and set aside due to emotional difficulty. What results is not a settling of these inheritances into any single account of home, but a widening: an exploration of diasporic subjecthood held in a metaphysical register, one that resists explanation and dwells instead in what cannot be fully named, or resolved.

Opposite – Is this legacy?, 2026

Exhibition runs through till September 26th, 2016

Perrotin
76 rue de Turenne
75003 Paris
France

www.perrotin.com

  

PAUL DRISSEN – AMA

Posted on 2026-09-07

These new works grew out of a long-standing fascination with Henri Matisse’s early oeuvre—specifically the paintings he created between 1904 and 1918. During this period, Matisse sought greater freedom regarding color and space, while his motifs—a studio, a window, a garden, flowers, or a model—remained present. What appeals to Drissen in these works is the tension between holding on and letting go. Matisse seems to break his motifs open further and further: walls become transparent, figures dissolve into their surroundings, and space loses its fixed order. This attitude forms the starting point for Ama.

Opposite – Untitled (Morme), 2025

Exhibition runs through till October 10th, 2016

Slewe Gallery
Kerkstraat 105-A
1017 GD Amsterdam
The Netherlands

slewe.nl

  

BEN SLEDSENS – AN APPLE FOR THE ROAD

Posted on 2026-09-01

In his solo exhibition, An Apple for the Road, Ben Sledsens presents a new series of paintings in which wonder, attentiveness, and imagination take center stage. The exhibition marks a subtle yet significant shift within his artistic practice. While his work remains immediately recognizable through its vibrant use of color, monumental compositions, and dreamlike imagery, this new body of work reveals a renewed search for spontaneity, freedom, and a conscious embrace of the naïve as an artistic strength.

This new series of paintings emerged mainly from an extensive group of works on paper that Sledsens has developed over the past several years as a freer and more intuitive counterpart to his paintings. Whereas a large canvas often requires a lengthy process of construction and refinement, paper offered the possibility of responding more quickly to ideas, observations, and associations. From these experiments grew new compositions, unexpected perspectives, and motifs that eventually found their way into the paintings. What initially began as a search for simplicity ultimately led to an expansion of his pictorial vocabulary. Close-up views of water lilies, rhythmic structures of reeds, floating flowers, an anthropomorphic cloud, and mystical landscapes introduce a greater sense of freedom into the compositions. Graphic rhythms and repetitions assume a more prominent role, while the paintings simultaneously retain a remarkable lightness.

Opposite – Catching Frogs, 2025

Exhibition runs through till October 10th, 2016

Tim Van Laere Gallery
Jos Smolderenstraat 50
2000 Antwerp
Belgium

www.timvanlaeregallery.com

  

CATHERINE MURPHY – RECENT WORK

Posted on 2026-09-01

Although Murphy’s meticulous commitment to realism once situated her within the tradition of still life, over the past two decades her practice has shifted from direct observation towards more psychologically charged and subtly surreal interpretations of the objects that populate her surroundings. Focusing on overlooked and unexpected viewpoints, Murphy reframes and resizes the familiar. Idiosyncratic glimpses of objects are reproduced to unsettling effect, their character transformed through a careful choreographing of scenes and use of partial, cropped compositions, and heightened colour.

Opposite – Tumbled, 2025

Exhibition runs through till November 7th, 2016

Sadie Coles HQ
8 Bury Street
SW1Y 6AB
London

www.sadiecoles.com

  

ANNA MUNK – OMBRES

Posted on 2026-09-01

Although Murphy’s meticulous commitment to realism once situated her within the tradition of still life, over the past two decades her practice has shifted from direct observation towards more psychologically charged and subtly surreal interpretations of the objects that populate her surroundings. Focusing on overlooked and unexpected viewpoints, Murphy reframes and resizes the familiar. Idiosyncratic glimpses of objects are reproduced to unsettling effect, their character transformed through a careful choreographing of scenes and use of partial, cropped compositions, and heightened colour.

Opposite – Blurry Green, 2026

Exhibition runs through till September 26th, 2016

Galleri Nicolai Wallner
Glentevej 47 – 49
DK-2400 Copenhagen
Denmark

nicolaiwallner.com