BEN SLEDSENS – AN APPLE FOR THE ROAD

Posted on 2026-09-01

In his solo exhibition, An Apple for the Road, Ben Sledsens presents a new series of paintings in which wonder, attentiveness, and imagination take center stage. The exhibition marks a subtle yet significant shift within his artistic practice. While his work remains immediately recognizable through its vibrant use of color, monumental compositions, and dreamlike imagery, this new body of work reveals a renewed search for spontaneity, freedom, and a conscious embrace of the naïve as an artistic strength.

This new series of paintings emerged mainly from an extensive group of works on paper that Sledsens has developed over the past several years as a freer and more intuitive counterpart to his paintings. Whereas a large canvas often requires a lengthy process of construction and refinement, paper offered the possibility of responding more quickly to ideas, observations, and associations. From these experiments grew new compositions, unexpected perspectives, and motifs that eventually found their way into the paintings. What initially began as a search for simplicity ultimately led to an expansion of his pictorial vocabulary. Close-up views of water lilies, rhythmic structures of reeds, floating flowers, an anthropomorphic cloud, and mystical landscapes introduce a greater sense of freedom into the compositions. Graphic rhythms and repetitions assume a more prominent role, while the paintings simultaneously retain a remarkable lightness.

Opposite – Catching Frogs, 2025

Exhibition runs through till October 10th, 2026

Tim Van Laere Gallery
Jos Smolderenstraat 50
2000 Antwerp
Belgium

www.timvanlaeregallery.com

  

CATHERINE MURPHY – RECENT WORK

Posted on 2026-09-01

Although Murphy’s meticulous commitment to realism once situated her within the tradition of still life, over the past two decades her practice has shifted from direct observation towards more psychologically charged and subtly surreal interpretations of the objects that populate her surroundings. Focusing on overlooked and unexpected viewpoints, Murphy reframes and resizes the familiar. Idiosyncratic glimpses of objects are reproduced to unsettling effect, their character transformed through a careful choreographing of scenes and use of partial, cropped compositions, and heightened colour.

Opposite – Tumbled, 2025

Exhibition runs through till November 7th, 2026

Sadie Coles HQ
8 Bury Street
SW1Y 6AB
London

www.sadiecoles.com

  

ANNA MUNK – OMBRES

Posted on 2026-09-01

Although Murphy’s meticulous commitment to realism once situated her within the tradition of still life, over the past two decades her practice has shifted from direct observation towards more psychologically charged and subtly surreal interpretations of the objects that populate her surroundings. Focusing on overlooked and unexpected viewpoints, Murphy reframes and resizes the familiar. Idiosyncratic glimpses of objects are reproduced to unsettling effect, their character transformed through a careful choreographing of scenes and use of partial, cropped compositions, and heightened colour.

Opposite – Blurry Green, 2026

Exhibition runs through till September 26th, 2026

Galleri Nicolai Wallner
Glentevej 47 – 49
DK-2400 Copenhagen
Denmark

nicolaiwallner.com

  

SIMON HANTAÏ – THE LAST STUDIO

Posted on 2026-08-24

The exhibition, curated by Anne Baldassari, features sixteen of Simon Hantaï’s dernier atelier (the last studio) paintings of 1982–85, which are distinguished by vibrantly colored abstract forms derived from a combination of folding and dripping techniques. Examples from the body of work were first shown in Hantaï’s 2022 retrospective curated by Baldassari at Fondation Louis Vuitton, Paris, which incorporated a spectacular evocation of the artist’s studio of the era.

Opposite – Sans titre (Untitled), 1984

Exhibition runs through to September 27th, 2026

Gagosian
Promenade 79
3780 Gstaad
Switzerland

gagosian.com

  

ARGHAVAN KHOSRAVI – THE SHAPE OF ABSENCE

Posted on 2026-08-24

Khosravi’s work often departs from lived, cultural, and historical experience, yet it extends beyond a specific geography or moment. Through painting and sculpture, she constructs worlds in which questions of power, agency, visibility, and control unfold through symbolic language. Fragments of bodies, architectural spaces, veils, cages, hands, shadows, and openings frequently reappear in her work. Together, they form visual metaphors that remain open to interpretation rather than declarative.

Above all, Khosravi’s works are poetic. They can be read as visual poems: meticulously composed, rhythmic, and layered with meaning. They draw the audience into spaces that feel intimate yet theatrical. Their intensity lies in restraint, in what is withheld, obscured, interrupted, or partially revealed.

Exhibition runs through to August 30th, 2026

KÖNIG GALERIE
St. Agnes – Alexandrinenstr, 118-121
10969 Berlin
Germany

www.koeniggalerie.com

  

GIACOMO SANTIAGO ROGADO – CONTINUO

Posted on 2026-08-24

With continuo, Giacomo Santiago Rogado presents works from the series Intuition, Coalescence, Accord and Calibra. The exhibition title refers to the idea of a continuum: a state of ongoingness in which the world appears not as an accumulation of separate entities, but as a network of relationships, transitions and reciprocal influences. This notion forms the exhibition’s point of departure, posing the question of how painting might render visible those connections that elude immediate definition.
The bringing together of different bodies of work offers an insight into the complexity and breadth of Rogado’s artistic practice. Although the works originate from distinct series, they enter into a shared dialogue within the exhibition. In doing so, they reveal not only the specific characteristics of each body of work, but also the underlying concerns that have shaped Rogado’s oeuvre for many years. The exhibition focuses on what emerges between the paintings: relationships, recurrences and shifts that are not immediately apparent, but gradually unfold over the course of sustained viewing.

Opposite – Accord 2, 2019

Exhibition runs through to August 29th, 2026

Bernhard Knaus Fine Art
Niddastrasse 84
D – 60329 Frankfurt am Main
Germany

bernhardknaus.com