BUGONIA
2025-10-27Two conspiracy-obsessed young men kidnap the high-powered CEO of a major company, convinced that she is an alien intent on destroying planet Earth.
In theatres October 31st, 2025
TweetCHAMPIONS OF THE GOLDEN VALLEY
2025-10-27Afghan youth craft wooden skis to compete in a mountain race uniting rival villages before their country’s collapse, showing resilience and community spirit in an unexpected story of hope and triumph.
In theatres October 31st, 2025
www.championsofthegoldenvalley.com
TweetSELF-HELP
2025-10-27A young woman infiltrates a dangerous self-actualization community after her mother becomes entangled with its enigmatic leader.
In theatres October 31st, 2025
TweetBREA SOUDERS – BLUE WOMEN
2025-10-27Blue Women (2024-2025) centers on storefront beauty posters, sun-bleached over time to varying shades of blue. The images have been eroded by natural forces – time, light, and weather – and reshaped into something ambiguous. Rephotographed in situ across four continents, the work focuses on the women’s expressions and faded natural motifs around them, tracing the visual and material afterlife of commercial imagery across geographies. The work isn’t nostalgic; rather, it embraces what is uncertain, unresolved, and in motion, qualities echoed in today’s political, environmental, and technological volatility. The color blue connects them, shifting between emotional and symbolic registers: from serenity, melancholy, and resilience, to digital coolness, the cosmic, and the uncanny.
Opposite – Blue Woman #05, 2024
Exhibition runs through to November 1st, 2025
EUQINOM Gallery
49 Geary Street, Suite 417
San Francisco
CA 94108
PAUL SIETSEMA
2025-10-27This exhibition brings together new works and older works, including two 16mm films. As seen throughout the exhibition, Sietsema’s work navigates the complex status of representation, exploring how meaning is constructed at the intersection of image and material. If art is a type of cultural language, Sietsema takes a dialectic approach that negates, disables, or redirects the natural flow of communication.
Opposite – Object painting, 2025
Exhibition runs through to December 20th, 2025
Marian Goodman Gallery
79 rue du temple
75003 Paris
France
DEXTER DALWOOD – MEMORIA EN RUINAS
2025-10-27In several of his works, Dalwood begins from anecdotes. Archaeology of Indifference and Andy in Mexico are examples of this process. Andy Warhol visited Teotihuacán, without stepping out of the car. His biographer Bob Colacello recounts in The Atlantic that Warhol refused to get out, uninterested in what he described as “a pile of rocks.” In contrast, during his visit to the Basilica of Guadalupe, Colacello describes his surprise at Warhol’s devotion as he joined in the religious rituals.
Dalwood’s paintings are full of these connections: historical and social moments intertwined with direct references to art history. In Tlatelolco, we encounter the iconic scoreboard of the Estadio Olímpico Universitario, used during the 1968 Mexico City Olympics. In this version, the screen no longer shows competition results but instead the name of this area of the city, which, since October 2, 1968, has become synonymous with the repression of student protests. In the background appears a reference to the work of American painter Morris Louis, a leading figure of Color Field Painting, whose influence still resonates today.
Opposite – Archaeology of Indifference, 2025
Exhibition runs through to November 15th, 2025
Galerie Nordenhake
Monterrey 65, Roma Norte
06700 Mexico City
Mexico
