SUZI ANALOGUE X JLIN – NICE 2 MEET U

Posted on 2023-10-16

Taking the raw parts from Suzi’s track “Stay Ready”, Jlin has constructed a frenetic, heavily percussive dancefloor workout, insectoid rhythm clusters and refracted sound arcs beamed from an alternate reality in which techno has foregone formulaic rules and still contains a genuine promise of the future.

This is the first single from Suzi’s upcoming new mixtape, Onez, the follow-up to the Infinite Zonez compilation LP released on Disciples in 2022.

suzianalogue.bandcamp.com

  

DJ RASHAD – LAST WINTER

Posted on 2023-10-09

“Last Winter” by DJ Rashad, out now on Partisan Records. Pre-order the 10th anniversary reissue of his seminal album Double Cup, out December 8th, 2023

djrashad.ochre.store

  

TALK TO ME ORIGINAL MOTION PICTURE SOUNDTRACK

Posted on 2023-10-02

Cornel Wilczek’s original score and “Le Monde” by Richard Carter. Pressed on jack-o’-lantern orange, with lenticular jacket.

shop.a24films.com

  

FLOATING POINTS – BIRTH4000

Posted on 2023-09-25

Sam Shepherd aka Floating Points has shared a new single, ‘Birth4000’, which is out now via Ninja Tune.

‘Birth4000’ couldn’t be more different sonically to these pursuits in its crunchy, gnarled, all-out energy. Officially out now, the track has already had a lasting impact on the summer’s dancefloors having been played out by Four Tet at his Finsbury Park headline show as well as gracing Arcadia’s industrial spider when played by Shepherd and Caribou b2b at this year’s Glastonbury, also appearing in festival sets from Peggy Gou, Ben UFO, Call Super, Palms Trax and more, as well as being the highlight of Shepherd’s secret headline slot at this year’s NTS summer party.

The track’s artwork comes from Tokyo based artist Akiko Nakayama. Nakayama is a painter who depicts the beauty of conveying energy metamorphosis through media such as installation, videos, and performance. She brings painting to life by combining the energy of movement and the vibrance of colours, called “Alive Painting”.

floatingpoints.co.uk

  

JEZZ WOODROFFE – WONDERS OF THE UNDERWATER WORLD

Posted on 2023-09-18

This is just the best is so many ways. It’s a beautiful electronic score to a 1981 underwater film. Music was made by Jezz Woodroffe, who worked with Black Sabbath and decided to go out on his won musically. He has an exceptions studio full of incredible cutting edge tech at the time, such as a CS-80, so music of the score sounds like Vangelis. The original LP is exceptionally rare and to make this repress extra special I decided to do a DIY sleeve where we have an empty seascape sleeve (designed by DJ Food using AI tech) and inside the LP sleeve is an A4 set of underwater stickers with fish, sharks, frogmen and a small sub, so you can make your own underwater seascape scene. Inspired by Action Transfers back in the 1970s. It’s brilliant even if I say so myself. Musically amazing, visually amazing too. A one-off pressing, if it does get repressed it won’t have the stickers.

trunkrecords.greedbag.com

  

GRETEL IN CONVERSATION WITH LO HARLEY

Posted on 2023-09-16

Gretel! How are you? Where are you in the world right now?

I’m well thanks! I’m actually at my parents home in west London, the living room to be specific. It’s been a while since I’ve been home for more than 5 days – between the touring and going up to wales to see my boyfriend i probably spend most my life on wheels!

Congratulations on being BBC Radio 1’s Hottest Record! Tell me more about the track!

Oh cheers yeah I’m so pleased. This song is definitely the one I’ve put the most time and effort into and it’s my favourite I’ve ever released. It’s so exciting having it out there, it’s a track that winks at what’s to come for me. At the time I wrote it I’d been, and am, heavily inspired by the tragic lyrics behind most of the smiths cheeriest songs, and also the confidently upbeat guitar riffs in the cure’s music too. It’s about that feeling of imposter syndrome, when you want to make a good impression but you can’t help but think ‘what the hell am I doing here?’. It’s something I felt a lot on my recent and first ever trip to Los Angeles, where I stayed and wrote music for the album for 6 weeks. It’s a strange place, I felt very disconnected, but I always put on a smiley mask inbetween my emotional wobbles! That feeling inspired this song, it’s shrouded with surface level cheeriness.

What’s your song writing process like at the moment?

I like that you say ‘at the moment’ because it does change! For the last months I’ve been ‘collecting’ demos – so writing at home, or going out to meet with producers and fiddle with instruments til a musical idea sparks. It’s best when I have someone in the room, the act of taking up someone else’s time forces me to really focus and get shit done. Next week I’ll be taking the first few demos into the studio to start producing the album, which my band will be playing on! I’m really enjoying challenging myself lyrically too, being concise and very intentional.

What lyric are you most proud of?

while the boys all give it large, the girls have been told to starve, like the breakfast club but haunted.

Describe your sound in three words?

I’d describe my upcoming stuff and current sound (with my unreleased music) as ‘Joni Mitchell + distortion’ but of my released stuff I’d say ‘dark catchy grunge’.

HEAD OF THE LOVE CLUB is beautiful! Tell me more about putting that EP together?

That EP came together slowly and then very quickly. I had a bunch of demos that I’d recorded over the span of maybe 5 months which I took to my good friend and producer Mura Masa and he basically polished everything up for release! Time was of the essence so we just smashed through it in less than a week. He’s very good at that Rick Rubin- creative direction- beauty-is-in-my-mistakes style production. It’s very different to my current process where each song gets taken apart, replayed perfectly and we spend days agonising and perfecting each song. That’s what the process was like on War With America, produced by Charlie Andrews, and it was knackering but worth it for that song! 100 versions later we finally got it perfect!

You had a big festival season this year! How was it playing Coachella?

Playing coachella was incredible. It was bloody nerve wracking but I loved my time on stage. My favourite part was watching the acts after we played and taking notes from the best performers and shows in the world! I even had the honour of being ignored by Jai Paul himself backstage. Fair enough!

Who would be on your dream line up?

This is where I wish I’d been to more gigs- I’ve only recently started going, mainly for inspiration! I’d say… talking heads, wham!, Kate bush, Rosalia, fontaines DC, queen, wolf alice, sinead o Connor, the pogues, Jeff Buckley, take that, the white stripes, Frank ocean. Assuming this is dead or alive of course!

What’s a collaboration you’re manifesting?

Frank Ocean probably!

What’s inspiring you at the moment?

I’m getting a lot of inspiration from Irish folk stories right now, my mother is Irish and I’ve been spending more time with my grandfather who immigrated here from Ireland some years ago, as his memory faded away he still manages to sing along to the old Irish songs and they’re melodies that somehow feel timeless. It’s amazing how a good melody can surpass memory. It remembers itself.

What piece of music changed your life?

Tim Buckley- chase the blues away. When I was younger I tried learning this song on guitar but learnt it wrong and ended up writing my first ever finished song from that incorrect riff! That song was called ‘Too Dark’.

What can we expect from your upcoming US tour?

You can expect a lot more finesse, freshly released music, as well as some unreleased album! And of course the ‘classics’ ! Also you’ll expect better stage outfits, and belted super-vocals!

What are your hopes for the future?

To get the album sounding exactly how I want, to have enough money to fund my music better (or a fat record deal), and just to keep finding things around me inspiring! As long as I’m happy and excited about life, I don’t mind where my future takes me.

Photography and interview – Lo Harley
Stylist – Elle Fell
MUA – Tina Khatri
Hair – Hannah Godley

www.gretelhanlyn.com