THE BOOK OF CLARENCE
2024-04-01Struggling to find a better life, Clarence is captivated by the power of the rising Messiah and soon risks everything to carve a path to a divine existence.
In theatres April 19th, 2024
TweetStruggling to find a better life, Clarence is captivated by the power of the rising Messiah and soon risks everything to carve a path to a divine existence.
In theatres April 19th, 2024
TweetJeanne du Barry follows Jeanne Vaubernier, a woman born into poverty who uses her intellect and charms to climb the social ladder, rising to the opulent court of King Louis XV of France.
On her official introduction to the King, their attraction is irresistible and Jeanne becomes his favourite courtesan, reigniting his appetite for life. The two fall madly in love and against all convention, Jeanne moves into the Palace of Versailles as scandal and revolution ensue.
In theatres April 19th, 2024
TweetAfter a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.
In theatres April 19th, 2024
TweetIn her last exhibition with the gallery, Collecting Colors – Catch and Release in 2021, the ancient technique of mixing pigments in beeswax, poured on birch and poplar panels, was the main theme. These works are developed further in Wrapping Yellow, Blue and Black, with a new series of medium sized and large panels dense with saturated color and intricate organic shapes, as well as wispy tinted ponds of transparent epoxy floating on poplar veneer.
This exhbition introduces three new installations made from sizeable swaths of cotton canvas, which have been dyed, stained, scrubbed, scratched and crumpled. In the gallery space these works will find their temporary resting place and shape hanging from the ceiling and sprawling on the floor or stretched as a floating membrane in the room or bursting out of a wall. These fallen and molested drapes in spice-infuced orange, brigth blues and smoldering reds and blacks, add a surprising baroque note to the ensemble, and evoce a sense of impending collapse in the exhibition space.
Opposite – CC #3, 2023-2024
Exhibition runs through to May 18th, 2024
Galleri Riis
Arbins gate 7
NO-0253 Oslo
Norway
The exhibition title The Auratic Object can be read as a reference to Walter Benjamin and his famous essay The Work of Art in the Age of Mechanical Reproduction, published in 1936, in which the author defines aura as “the unique apparition of a distance, however near it may be,” only to immediately diagnose its “decay” as a result of its technical reproducibility through photography and film. Benjamin predicted a “testing” distraction as a new form of art perception. In this sense, Claudia Wieser’s woven images can perhaps be understood as an invitation to test one’s own sensory perception: haptically and visually. They open up a space of immense temporality where past, present, and future intertwine.
Opposite – Installation view
Exhibition runs through to May 11th, 2024
Sies + Höke Galerie
Poststrasse 2+3
40213 Düsseldorf
Germany
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