OCEAN’S 8
2018-05-28Every con has its pros. Starring Sandra Bullock, Cate Blanchett, Anne Hathaway, Mindy Kaling, Sarah Paulson, Awkwafina, with Rihanna and Helena Bonham Carter.
In theatres June 18th, 2018
TweetEvery con has its pros. Starring Sandra Bullock, Cate Blanchett, Anne Hathaway, Mindy Kaling, Sarah Paulson, Awkwafina, with Rihanna and Helena Bonham Carter.
In theatres June 18th, 2018
TweetThe new ENTER EP is now live on Spotify through BRAINFEEDER. With two originals and a collaboration with .KAGE.
www.facebook.com/littlesnakemusic
TweetOver the course of her decades-long career, Marilyn Minter has developed a singular and provocative pictorial language imbued with themes of desire, power, glamour, and beauty. Often times simultaneously seductive and repugnant, her paintings and photographs mine the imagery of Hollywood, fashion, advertising, and pornography while also referencing the history of art. Inspired by feminism and sexual politics, her subversive pictures reframe the conversation about looking and the female figure in visual culture.
In this exhibition Minter turns her attention to the art historical trope of the bather. Poised between abstraction and figuration, a series of large-scale paintings are meticulously constructed using many layers of enamel paint. Slowly built up layer-by-layer, their sensuous surfaces are finished with the fingertip to eliminate traces of brushstrokes, resulting in a softened, tactile quality. In these works, as well as in the photographs, Minter challenges the problematic treatment of women in art, depicting her subjects as empowered objects of desire. Depicted behind a pane of steamy glass, the opaque abstracted surface simultaneously hides and reveals Minter’s subjects.
Opposite – Nebulous, 2018
Exhibition runs through to June 23rd, 2018
Regen Projects
6750 Santa Monica Boulevard
CA 90038
Los Angeles
For the past few years, artist Mark Steinmetz has photographed in, around, and above Hartsfield-Jackson Atlanta International Airport, through which approximately 100,000,000 passengers, 1,000,000 flights, and 650,000 tons of cargo pass every year. Using the world’s most heavily trafficked airport as his home base, Steinmetz closely considers the activity and interactions that take place at this crossroads of the contemporary South. The exhibition is comprised of over 60 never-before-exhibited photographs.
Steinmetz’s approach is improvisational, and he is particularly masterful at capturing the ordinary-yet-fascinating human dramas that play out in the public spaces throughout the airport. His black-and-white photographs lend a poignant perspective on how this gateway to the wider world is a place of delightful paradoxes: a massive modern complex that sits in the midst of a sublime natural environment, a bustling global transit hub that is the site of solitary individual experiences, and a stifling bureaucratic tangle that is a portal to possibility and opportunity.
Opposite – Untitled, 2016
Exhibition runs through to June 3rd, 2018
High Museum of Art
1280 Peachtree Street
N.E. Atlanta
30309 GA
The exhibition features over 70 black and white vintage prints from seven of Ewald’s earliest projects. It begins with her first extended collaboration in Kentucky in 1975 and includes projects from Mexico (1991), India (1989-1991), the Netherlands (1996), Colombia (1982-1985), South Africa (1992) and Morocco (1995). For over 40 years, Ewald has traveled the globe as part of a sustained and evolving artistic and educational project. In each new location, Ewald begins by addressing the conceptual, formal, and narrative aspects of photography with her students, as well as making portraits of them. She teaches them to use the camera, many for the first time. Leaving the subject matter open, the children are free to explore societal issues that are relevant to their communities, including race, class, and gender. The results are poetic and vibrant portraits that reveal intimate connections between her students and their worlds.
Opposite – Untitled, The Netherlands, 1996
Exhibition runs through to June 2nd, 2018
Steven Kasher Gallery
521 West 23rd Street
New York
10011 NY
The Colorado Photographic Arts Center is pleased to present Segregated Influences, an exhibition that explores the complex history of race in America through the photographs of Wendel White, Distinguished Professor of Art at Stockton University, and Tya Alisa Anthony, a Denver-based visual artist.
In Schools for the Colored, White photographs the architectural remains of structures once used as segregated schools for African Americans in New Jersey, Pennsylvania, Ohio, Indiana, and Illinois. The exhibition presents 20 black-and-white images of school buildings that appear isolated from their surrounding landscapes, which are obscured from view using digital techniques. This technique is a representation of W.E.B. DuBois’ famous concept of “the veil,” a metaphor for the divide that separates the lives of black and white Americans.
Exhibition runs through to June 2nd, 2018
Colorado Photographic Art Center
1070 Bannock Street
Denver
80204 CO