THE HUNDREDS EYEWEAR COLLECTION 2016

Posted on 2016-12-19

The Hundreds drop their latest eyewear collection, featuring two exclusive frames, the “Natalie” and the “Janis” available now at all The Hundreds flagship locations and online.

The two eyewear silhouettes take inspiration from two iconic female pop culture icons of ‘60s rock-and-roll and the Golden Era of Hollywood. The “Janis” arrives with gloss black acetate frames with metal core and green polarized lenses. The inside right arm reads, “You can destroy your now by worrying about tomorrow.”

The “Natalie” arrives with a gloss brown tortoise acetate frame with metal core and gunmetal lower frame with brown polarized lenses. The inside right arm reads, “The constant attention is what is so difficult.”

Both have a laser etched “Wildfire” logo on the right lens, a “The Hundreds” logo debossed on the outside left arm, heavy duty silver hinge and hardware, and include a carrying case and cleaning cloth

thehundreds.com

  

GORILLAZ – HALLELUJAH MONEY

Posted on 2016-12-19

Gorillaz returns after six years with the apocalyptic “Hallelujah Money” video, the first taste of their new record which is coming later this year. The band has issued this song on the eve of the Inauguration of President-Elect Donald Trump to serve as commentary on a politically-charged, historical moment.

www.gorillaz.com

  

FUTURE – THAT’S A CHECK FEAT RICK ROSS

Posted on 2016-12-19

Following up “Buy Love” release, the Freebandz Gang leader decides to team up with MMG boss, Rick Ross, for this new song & accompanying video called “That’s A Check.”

www.mmgselfmade.com

  

SHARON JONES – PLEASE COME HOME FOR CHRISTMAS

Posted on 2016-12-19

From the Holiday classic full-length, It’s A Holiday Soul Party. Out now on Daptone Records.
Written, Produced and Directed by Alex Howard & David Hatter.

daptonerecords.com

  

GORDON MATTA-CLARK

Posted on 2016-12-19

Gordon Matta-Clark’s (1943–1978) training as an architect exerted a crucial influence on his work: in the late 1960s he defied the conventions of his discipline while examining its relationship with sculpture. He began to produce his first architectural performances in interior spaces, before going on to expand his practice and reflection on “structure” and to consider each place as an object. Matta-Clark’s building cuts allowed him to rethink the notion of space, the function of the artist operating in the public sphere, and ultimately to create ephemeral works without constructing or adding any elements.

“I feel my work intimately with the process as a form of theater in which the working activity and the structural changes to and within the buiding are the performance. I also include a free interpretation of movement as gesture, both metaphoric, sculptural, and social into my sense of theater, with only the most incidental audience – an ongoing act for the passer-by just as the construction site provides a stage for busy pedestrians in transit.”

Opposite – Graffiti Photoglyph (detail), 1973

Exhibition runs through to January 19th, 2017

Marian Goodman Gallery
79 rue du temple
75003 Paris
France

www.mariangoodman.com

  

DAN LISH EGOSTRIP PRINTS

Posted on 2016-12-19

You can buy various giclee or lithograph prints over on his site and hopefully 2017 will see him complete the 100 drawings he wants to do before he collects them for a book.

Opposite- Madlib/Lord Quas/MF Doom

danlishartworks.bigcartel.com