SERGEJ JENSEN – MONEYBAGS

Posted on 2016-02-01

Since the early 2000s, Jensen has regularly included cloth bank bags in his work, which he sews together to make geometric paintings. ‘Moneybags’ is the first exhibition to focus on this motif within Jensen’s mode of production, and will also include new representational works that use bank bags as their painterly ground.

Jensen’s approach to painting is unconventional in that it can frequently involve a complete rejection of paint itself in favour of textiles – found or worn materials that reflect a history of use. In this series, Jensen limits himself to one type of basic material which is uniform in style but differs in colour, weave and size. Obtained from federal and municipal banks in Europe and the USA, the bags are occasionally branded with either the name of the bank or their original monetary contents, and represent a standardised unit as well as being a signifier of past economic value.

Jensen sews the bags into simple, grid-like compositions that take on the formal properties of geometric abstraction. In one work, for example, a number of brightly coloured bags are assembled together and then glazed over several times with dark, muted hues. Areas of the picture have then been sanded away to reveal the structural details beneath, bringing elements such as old pen marks and scribbled value information back to the surface. In another work, a grid of worn ‘Barclays Bank’ bags is painted over with champagne chalk primer to create a distressed grey monochrome.

Exhibition runs through to March 5th, 2016

White Cube Bermondsey
144 – 152 Bermondsey Street
London
SE1 3TQ

whitecube.com

  

ARTA – ART RAIL TRANSIT AUTHORITY

Posted on 2016-02-01

‘Doing graffiti art made me learn how to make something out of nothing, and it got me involved in the music scene. I spent time in New York exhibiting my work and appeared in Afrika Bambaataa’s feature film ‘Bombing’ as one of Britain’s top grafters.’

ARTA was simply born out of an idea Henry Chalfant and myself (Goldie) had wanted to do for years. As soon as the technology became available to build an graffiti app that feature’s everything about this culture – I jumped at the chance to do so, alongside Henry.

We need YOU now to be part of this grand vision for this cutting edge platform launch.

This summer event will be the meeting of two worlds, digital meets tangible – both in music and Graff.

www.goldie.co.uk

  

DEEP SUPERFICIAL PERCEPTIONS

Posted on 2016-02-01

Deep Superficial Perceptions, is a group exhibition that surveys ongoing studio explorations of material experiments in two dimensional formats. The history of image making inevitably begins with painting. This process becomes increasingly complicated as technology evolves, as perception is altered by media, beginning with the invention of photographic methods and now rapidly changing with the flow of the Internet.

Traditional art forms such as photography and painting now regularly commingle, often seamlessly, with plastic, concrete, textile, veneer, rubber, and other household and industrial materials. These complex material decisions express a love of the tactile and a nod towards ever-evolving artist experiments, such as minerals ground into linseed oil or silver salts suspended in gelatin. The artists in the show – Samantha Bittman, Julia Bland, Matias Cuevas, Alex Ebstein, Aaron Farley, Doty Glasco, Erin Morrison, and Loring Taoka – demonstrate a dedication to material formal exploration that reveals a prolonged interest in how material becomes idea.

Opposite – Aaron Farley, Sphere, 2016

Exhibition runs through till February 20th, 2016

CES Gallery
711 Mateo St.
Los Angeles
CA 90021

carlesmithgallery.com